A Quote by Tom Selleck
I don't think you should do something just to prove to an audience that you can do it, that's way out of your wheelhouse.
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I don't have anything to prove ever, ever in my life. If I have something to prove, what does that mean for everyone else? And I think everyone should have that attitude. You just have to prove to yourself that you can go out there and be the best that you can be and not prove anything to anyone.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
I don't think my wheelhouse is comfortable in Wall Street. My wheelhouse is small-town America.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
Our job, as actors, is to just try to be as accurate and as mindful of what the audience is going through and receiving and processing. If it's a situation where the character should look a little bit out of control or do something stupid, it's your job to act into that, in a believable way.
I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.
I think when you're a new actor in Bollywood, it's about seizing the moment. If you can prove to the audience there is an emotional vulnerability to your character, regardless of it being black or gray, I think the audience will accept you in any role - be it romantic or action.
If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues.
I'd say I get heckled quite a lot because I look quite like an easy target. If you're an alpha-male and you think you've got something to prove to your girlfriend, I think I'm the perfect person to prove your worth.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
I really don't have time "to Twitter," it's not something that should grab your day. That's a big misconception, actually, about the whole service. You don't go out of your way to tweet, you just post when you've got something. Hopefully, not while you're driving. It complements your life more than takes over your life.
As a philosopher, if I were speaking to a purely philosophic audience I should say that I ought to describe myself as an Agnostic, because I do not think that there is a conclusive argument by which one can prove that there is not a God. On the other hand, if I am to convey the right impression to the ordinary man in the street I think that I ought to say that I am an Atheist, because, when I say that I cannot prove that there is not a God, I ought to add equally that I cannot prove that there are not the Homeric gods.
I just feel if you are an artist, you always have something to prove, if you are in music or in films, you have to prove that you can still do your best.
You always feel like you've got something to prove, whether it be to yourself or somebody else. I can think of plenty of people along the way telling me I'll be nothing, working at McDonald's, doing things like that. The whole time, you're just trying to prove them wrong.
You can't just tell your team, 'Think long term.' It doesn't work that way. When you are starting out, you have to always think about trying to build something of value for the customer: something they can use all the time, something of use.
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
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