A Quote by Tom Shadyac

To me, 'Ace Ventura' is as scriptural and sacred as any movie I've ever done because it's childlike. — © Tom Shadyac
To me, 'Ace Ventura' is as scriptural and sacred as any movie I've ever done because it's childlike.
My older brother always tells me I changed as a person when I saw 'Ace Ventura.' Because when I saw 'Ace Ventura', I became obsessed. I watched the movie as many times as I had to - back then, you couldn't go on the Internet and find the script - so I watched it as many times as I could to write my own script of 'Ace Ventura.'
I was a giant fan of 'Whose Line Is It Anyway' in high school, and I was obsessed with Jim Carrey and cut out any picture of Jim Carrey that ever came in any kind of magazine. I put it all over my walls. At the time, I thought humor was just repeating lines from 'Ace Ventura' ad nauseum in the back of my advanced math class.
I'm still working on my time machine. If I ever perfect it, I'm going back in time to prevent Ace Ventura 2 from being made. And then I'm going after Hitler.
Until Ace Ventura, no actor had considered talking through his ass.
As a child I wanted to be a kind of hybrid of Ferris Beuller, Ace Ventura, Bette Midler, and Lucille Ball.
I was into 'In Living Color,' 'Martin,' the 'Ace Ventura' movies. I love slapstick stuff, too: 'Naked Gun' and 'Caddyshack.'
There are two thoughts that will ensure success in all you do; (1) Don't tell everything you know, and (2) until Ace Ventura, no actor had considered talking through his ass.
I've done so much for the WWE. Everything I've done, any movie I've done, any notoriety I have, it's because of them.
I don’t know if I’d do an action movie because I don’t know if I could keep a straight face honestly, I just think it’s so silly. Like I love watching them but I can’t imagine me doing one. Actually, you know what I’ve done, just for fun because I didn’t think there was any way that I could be in a superhero movie, so I’ve done a scene in the new “Thor” movie, just for that. I just do like one scene, which was quite fun.
When you're done shooting, the movie that you're going to release when you're done shooting is as bad as it will ever be. And then through editing, and finishing the effects and adding music, you get to make the movie better again. So I'm really hard on myself and on the movie.
I did an ABC Family movie called 'Cyberbully' a couple years ago, and it was unlike any movie I'd ever done before. I remember just reading the script and thinking, 'OK, she cries in every scene.'
Any movie I've done, my character has had a secret. Whether it's in the movie or not, it is usually never and it's usually not something I tell anybody. It is for me.
I had a Super Beetle that I restored and painted deep purple in honor of Jimi Hendrix that was stolen. After that, I got a Ford Falcon that had no windshield wipers, so whenever it rained - which, thankfully, in L.A. it doesn't do very much - I'd have to lean out my driver's side window like 'Ace Ventura: Pet Detective.'
From the animist point of view, humans belong in a sacred place because they themselves are sacred. Not sacred in a special way, not more sacred than anything else, but merely as sacred as anything else -- as sacred as bison or salmon or crows or crickets or bears or sunflowers.
I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.
This site uses cookies to ensure you get the best experience. More info...
Got it!