A Quote by Tom Shales
Gimmicks come and go; the cop show seems one genre that will never leave - not as long as people like to sit at home in the suburbs and see what awful things go on in the cities.
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Maybe I'd never see him again... maybe he'd gone for good... swallowed up, body and soul, in the kind of stories you hear about... Ah, it's an awful thing... and being young doesn't help any... when you notice for the first time... the way you lose people as you go along ... the buddies you'll never see again... never again... when you notice that they've disappeared like dreams... that it's all over... finished... that you too will get lost someday... a long way off but inevitably... in the awful torrent of things and people... of the days and shapes... that pass... that never stop.
The suburb in the 1950s was a bedroom community. The father worked in the city, and the mother stayed home. Now people live and work in the suburbs, and businesses have grown up or moved from cities to certain pockets of what was once the suburbs and created these places that are like cities.
It’s funny. When you leave your home and wander really far, you always think, ‘I want to go home.’ But then you come home, and of course it’s not the same. You can’t live with it, you can’t live away from it. And it seems like from then on there’s always this yearning for some place that doesn’t exist. I felt that. Still do. I’m never completely at home anywhere.
I am going to sit here in the river. If you go home to sleep, I will sleep in front of your house. And if you go away, I will follow you - until you tell me to go away. Then I'll leave. But I have to love you for the rest of my life.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
The real challenge is when I'm at work, I'm at work. I'm locked in, I'm ready to go, I'm focused. When I'm at home, I'm locked in and I'm ready to go and I'm focused on home. We don't watch the show. We don't watch the news. We don't do any of that stuff. I sit down, I play Barbies. And sometimes the kids will come home and play with me.
If you go to the gym and you come home and look into the mirror, you'll see nothing. If you go the next day and you come home, you will see nothing. In fact sometimes you're in pain.
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
People are never quiet. It's go, go, go. I'm a go-getter, but you need rest and silence, just to sit around and think about things.
[Cities] are not like suburbs, only denser. They differ from towns and suburbs in basic ways, and one of these is that cities are, by definition, full of strangers.
I try to show everybody Iceland all the time. My people are like, "Don't tell everybody the secret. It's so peaceful and beautiful here!" It's incredible; I go home and drive across country, and go to my mom's place and it's dark with the Northern Lights, and I like to sit in some hot springs.
When you go to urban America and you look at cities around America. People are moving back into the cities at record numbers. In the 1980s it was a flight to the suburbs. And now in 2017, it's a flight back into the cities.
It's either, like, 'Your album was the first jazz album I listened to,' or, like, 'My friend took me to this show, and I've never been to a jazz show before, but, man, I'm so happy I came. I can't wait to go home and see more.' And you can feel it in the crowd, too. You can see the groups of people that don't really know what to expect.
[A comic book writers' union] will never happen. Someone will always be willing to write Batman for free. ... You sit at a bar with an editor at a show and you see 19 people come up and pitch ideas at them. If everybody writing the top 20 books all quit and demanded, 'Union now, union forever,' those 19 guys would be getting phone calls. There will never be a union. I think things are getting better - I bet things have never been so good - but there will never be a union.
People come into work and actually go home to their families. They want to go there and explore and have a good time, but they also want to go home, which is the best kind of working environment. You go in and do your job, and then you go home and enjoy your life.
Every time I go out on a stage I consider myself very lucky. Because, in a time where people are economically thinking about what to go and see - so, when I am on a stage, and it doesn't matter where I am, that's my favorite show. I come home after and say "That was my favorite show".
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