A Quote by Tom Shales

'Dragnet' (the 1951 original, transferred nearly intact from radio) served as a veritable template for all cop shows to come. — © Tom Shales
'Dragnet' (the 1951 original, transferred nearly intact from radio) served as a veritable template for all cop shows to come.
Every weekend he'd have me come down to work on Dragnet, which by now was on television as well as radio.
Cop shows are by definition melodramatic; they're larger than life. They create very stark contrasts and conflicts emotionally. They're provocative, assuming they grapple with - to the extent that cop shows are mirrors of the culture.
I even played Jack Webb's partner on the radio version of Dragnet for a while.
I love cop shows and crime books and thrillers, and before I die I'm gonna play a cop.
Nearly every day on the television set the hero cop breaks into the bad guy's house and beats a confession out of him and we cheer on the cop. Propaganda smears our clear vision. It causes us to accept the diminishment of our constitutional protections as something to be lauded - after all, the cop was protecting us.
Heroes have always served as a reflection of their times, a template of who we are and what we want to be.
Look at the number of cop shows and lawyer shows and forensics shows... I think there could be room for two quite different examinations of the same political office.
After the navy, I transferred to Harvard and finished there. I was there the spring term of 1951 and I stayed through the summer term and a whole other year, so I was able to do two years in a little less than a year and a half.
(In) most cop shows, every cop in the squad speaks exactly the same and the same kind of short clipped film noir-ish talk.
There's a reason there are 50,000 cop shows and firefighter shows: Watching them is cool.
If I play a cop, it's always a racist cop or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
The stuff that I find really intriguing is always how do ordinary people behave in extraordinary circumstances. And that's why we have a lot of cop shows and lawyer shows and medical shows is that you're looking for situations that just always heighten the stakes.
How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide.
I like my role in 'Akira,' which is a remake of a south Indian film. I play the role of a pregnant cop like the original. So, since it's the role of a pregnant cop, luckily I didn't have to do any stunts.
I got nothing against the honest cop on the beat. You just have them transferred someplace where they can't do you any harm. But don't ever talk to me about the honor of police captains or judges. If they couldn't be bought they wouldn't have the job.
The anxiety is, "Are they going to come?" and when you get there and it's full you say, "I'm good. I can stop freaking out." But when it's four days out and they're scrambling to find more radio shows and Good Morning Phoenix and all these weird shows, then that gets very tiring.
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