A Quote by Tom Six
From being a young kid I was always drawing and painting, usually stuff like private parts or bloody images but always with a comedy twist to it.
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I was always doing paintings. I actually started painting with oil paints when I was four years old. Not crayons, not pencils and that kid of stuff. I'd paint birds. Anything that moved, stuff like that.
You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
I always liked doing all sorts of different things. As a kid growing up, I was always drawing and painting - always doing art. But I also loved movies and music, so as I started doing everything, I liked every aspect. It's not really that I am a control freak; it's just that is what I love.
I was always interested in drawing and painting. I enrolled in college to study painting. But I didn't have any livelihood when I graduated. My mother died very young, and I didn't have any home, so I had to find a way to earn a living. It seemed to me that photography - to the great disappointment, I have to say, of my painting teacher - could offer that. So I went and did a degree in photography, and then after that I could go out and get paid for work. For portraits, things like that.
I've always been like that. I was a tomboy when I was a kid, so I was always playing baseball and basketball and football and stuff as a kid with the boys.
I always loved hip-hop, being a black little kid. I always used to freestyle on the bus when I was young. It was always a part of my life.
I would always be painting and drawing. If I was stuck at home, I was in the basement working on a painting.
I'm a super creative person and have always loved drawing and painting since I was super young, but makeup was a new avenue for me.
I have always enjoyed drawing and painting but I don't always find the time to do much these days.
I always loved jokes. It's such a dumb, facile thing to say, but it's true. I remember being a kid and getting those joke books from the Scholastic Book Club and loving comedy from a very young age.
My degree was in sculpture. I always think that drawing is a sculptural process. I always feel like I'm carving the image out rather than painting the image. I'm carving it out with erasers and tools like that. I've always had this fondness for sculpture.
Before the whole Disney realm had undergone this huge revamping, as a kid, I always saw myself doing these dramatic indie parts. And then I fell in love with doing comedy and doing kid shows and really working for kids.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
I had a fistfight with every kid on my block. I got about fifteen broken noses to prove it. Part of it was also because I was always drawing, and I always had an artist portfolio with me. But I was a tough kid. I won their respect.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.
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