A Quote by Tom Sizemore

Now, if I think a scene should go a certain way and it goes another, I'm able to go that new way with ease. — © Tom Sizemore
Now, if I think a scene should go a certain way and it goes another, I'm able to go that new way with ease.
I used to be very rigid because I just wanted to get through it. Now, if I think a scene should go a certain way and it goes another, I'm able to go that new way with ease.
I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.
What is a scene? a) A scene starts and ends in one place at one time (the Aristotelian unities of time and place-this stuff goes waaaayyyy back). b) A scene starts in one place emotionally and ends in another place emotionally. Starts angry, ends embarrassed. Starts lovestruck, ends disgusted. c) Something happens in a scene, whereby the character cannot go back to the way things were before. Make sure to finish a scene before you go on to the next. Make something happen.
I wouldn’t go anywhere in confined spaces now. When one person sneezes it goes all the way through the aircraft. That’s me. I would not be, at this point, if they had another way of transportation, suggesting they ride the subway.
Certain things can't be approximated, so I'm always interested in getting in another way, one which makes the reader bend in closer to the scene even if that scene, especially if that scene, is painful... Brutal language isn't necessarily the most truthful way of describing a brutal moment.
You have to be willing to look a certain way, and hold your body a certain way, until you get to where you want to go - I'm talking about musically, now.
I think after time goes by and you earn certain rights or you break through certain barriers, you could sometimes, maybe, take it for granted what you have now that you didn't have before. And then that would lead to a certain lack of community, in a way, caring in a way, that I saw before [in gay society].
Painting to me is constant searching. I can see what I want, but I can't get there, and yet you have to be open enough that if it goes another way, then let it go that way.
I go to Paris, I go to London, I go to Rome, and I always say, 'There's no place like New York. It's the most exciting city in the world now. That's the way it is. That's it.'
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
To me, the fundamental thing - well, I guess I see a lot of people debating in the wrong way. A lot of the debate is, should we go to the coasts, should we go to the center, should we go to the left, should we go to the right?
Now, to be properly enjoyed, a walking tour should be gone upon alone.... Freedom is of the essence, because you should be able to stop and go on and follow this way or that as the freak takes you.... There should be no cackle of voices at your elbow to jar on the meditative silence of the morning.
A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
I do think that's one of the reasons that acting appealed to me so much: the idea of letting go of control in a controlled environment. Being able to go through the range of intense emotions and jump off the cliff, metaphorically, but in a creative way, and in a way where the structure was really solid.
When we let go of wanting something else to happen in this moment, we are taking a profound step toward being able to encounter what is here now. If we hope to go anywhere or develop ourselves in any way, we can only step from where we are standing. If we don't really know where we are standing—a knowing that comes directly from the cultivation of mindfulness—we may only go in circles, for all our efforts and expectations. So, in meditation practice, the best way to get somewhere is to let go of trying to get anywhere at all.
I think if a woman is very happy with herself and at ease with her choices, it goes a long way toward making other people feel at ease with her.
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