A Quote by Tom Sizemore

I don't know what to say about it except Tom Hanks is a great person, a serious person; he's dissatisfied in a very likeable way, in a very discreet way, and Steven Spielberg is similar in his discretion and drive. But Spielberg is calm. He's this driven filmmaker and visionary. He really is.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
I was working with Tom Hanks and Steven Spielberg when I was nine years old.
I didn't even really know who Tom Hanks and Steven Spielberg were, and my parents kept trying to tell me, 'Noah, what is wrong with you!? This is the biggest actor and director in all of Hollywood!' And then I was like, 'Who cares? Whatever.' I was nine; I didn't know anything.
For actors, when you first get the project and you see that it's a Steven Spielberg, Tom Hanks and Gary Goetzman-produced project, right away, from an acting standpoint, you go, 'Wow. That'd be great to be part of that. What a career move that'd be.'
You know that you're part of a Spielberg production when you've got some aliens involved, but you really know when you're sitting there at a table read, and they say, 'Steven really wanted it this way.'
I met two of my movie heroes. I met Tom Hanks, and I met Steven Spielberg. Oh and Quentin Tarantino.
These are the two sides of Steven Spielberg: the reverent grown-up who knows when to say the right thing and the exuberant kid who loves a good laugh. Both sides are sincere, and both are necessary, for Spielberg knows he can't feel good about himself unless everyone else feels the same way.
Steven Spielberg was my idol growing up. I knew that all of his movies have a very specific message and point of view, and the always are really epic.
I can't believe that I'm sitting in meetings with Steven Spielberg, Tom Hanks, and Annette Bening. I want to take on that responsibility to represent all the Rogers out there who don't have a seat at the table. People of colour were not at the table, and now I am there, I want to change things.
Steven Spielberg is a talented, wonderful filmmaker.
Having a phone call from Steven Spielberg was just a fantastic rite of passage. I loved it, and he was very focused, very likable, strictly business, and really sharp.
I'm not a huge Steven Spielberg nerd, but I know about him and I know of his work.
The first person to make me realize there was someone behind the film was Steven Spielberg.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.
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