A Quote by Tom Sizemore

I think being a movie star is about whether an audience can watch you and care about you. — © Tom Sizemore
I think being a movie star is about whether an audience can watch you and care about you.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
I am in the fighting game. I don't care about anything else. I don't watch the news, I don't care about politics, I don't care about other sports. I don't care about anything I don't need to care about. This is my sport: it is my life. I study it; I think about it all the time. Nothing else matters.
I am in the fighting game, I don't care about anything else. I don't watch the news, I don't care about politics, I don't care about other sports. I don't care about anything I don't need to care about. This is my sport, it is my life. I study it, I think about it, all the time. Nothing else matters.
I've learned that you never have to think about how to make money. You need only to focus on what you think is going to be a good movie or what's a movie I'd like to watch as the audience.
I think, being a kid, you always think about being a movie star. And then as I got older, I started thinking about just the work.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
I didn't really think about being a movie star. I was more about theater.
Ethan [Hawke] just - they got along great. He got to act with a dog, for real, and it felt like Jumpy was acting with him. It was a surreal thing to watch. When you watch the movie [Valley of Violence], you just kind of accept it. But if you do think about how we show - there's a dog and a movie star interacting - and you buy it. That's crazy.
Lying about one's sexuality seems to be one of the ridiculous rules of what constitutes being a Hollywood movie star. Obviously, my own experience of working and continuing to work as an out gay actor is exactly that - working as an actor and not as a movie star. I don't think the two are the same.
I don't care what people say about me and what they think about me. I care about my team and I care about myself. Lots of people watch hockey, and I think everybody has different thinking.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
I'm always a little starstruck anyway. So to work with a movie star, which is Brad, I was excited about that; to work with a movie legend, which is Tony, I wouldn't have passed that up. Just to get to watch him and watch how he works.
I don't think about being famous, really. Being an author, I don't generally get stopped as I walk down the street. It's not like being a movie star.
When you commit to being a musician, I don't think you're really sure or care about when you're going to pay the bills. I don't think you care about that as much as you care about playing music.
There are two classes [of scientists], those who want to know, and do not care whether others think they know or not, and those who do not much care about knowing, but care very greatly about being reputed as knowing.
I don't understand choreographers who say they don't care about the audience or that they would be happy to present their works non-publicly. I think dance is a form of communication and the goal is to dialogue with the audience. If an audience member tells me they cried or that the dance moved them to think about their own journey or a family member's, then the work is successful.
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