A Quote by Tom Skerritt

Rarely ever see or meet the writer during shooting. — © Tom Skerritt
Rarely ever see or meet the writer during shooting.
It is rarely that you see an American writer who is not hopelessly sane.
I see myself as a huge fiery comet, a shooting star. Everyone stops, points up and gasps "Oh look at that!" Then - whoosh, and I'm gone... and they'll never see anything like it ever again... and they won't be able to forget me - ever.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
Zest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating, by them. Yet if I were asked to name the most important items in a writer's make-up, the things that shape his material and rush him along the road he wants to go. I would only warn him to look to his zest, see to his gusto.
I'm probably the least cerebral guy you're ever going to meet as a writer.
If I ever meet a writer or a painter, I don't presuppose that they are like the work they are presenting.
It's funny shooting movies because you get to see clubs during daylight hours, which no one should ever see - it's not pretty; there's a reason the lighting is dim in there.
Achievers rarely, if ever, see a problem as permanent,while those who fail see even the smallest problems as permanent
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
writers of novels are so busy being solitary that they haven't time to meet one another. But then, a writer learns nothing from a writer, conversationally. If a writer has anything witty, profound or quotable to say he doesn't say it. He's no fool. He writes it.
I don't see myself as an artist, as a writer. The sort of writing that I do, which is popular fiction, it's work. I have contracts to fulfil, and I have deadlines to meet.
I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let my thoughts wander freely.
A lot of my writer friends live near me, and that makes people think we just hang around with one another in cafes, trading work and discussing 'Harper's' and what not. But I rarely see them. We're home working.
Image and privacy are still everything to Jordan, who has rarely if ever let the outside world see or hear the real Michael.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
Oh, yeah - I could see myself as a catch and shooter, come off curls and shooting. I really feel good about shooting the ball.
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