A Quote by Tom Skerritt

I'm currently trying to direct my own material. — © Tom Skerritt
I'm currently trying to direct my own material.
A lot of times I'm on my own trying to find research material and things like that and trying to educate myself on the world and the film that I'm working on.
There are a lot more female writers wanting to direct their own material and hopefully will be given the opportunity.
Currently under FCC policy, indecency determinations hinge on two factors. First, material must describe or depict sexual or excretory organs or activities. Second, the material must be patently offensive as measured by contemporary community standards for the broadcast medium.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Going forward, I have four different ways of approaching what I want to do - I can generate my own material by writing. I can produce, direct, act, or do a combination of these things, mixing it up.
Is the game plan you are currently running the most direct path to your destiny?
It's very eclectic, the way one chooses subjects in the movie business, especially in the commercial movie business. You need to develop material yourself or material is presented to you as an assignment to direct.
A comedy club is a place where you work out material, you're trying material.
Natural selection based on the differential multiplication of variant types cannot exist before there is material capable of replicating itself and its own variations, that is, before the origination of specifically genetic material or gene-material.
I'm not trying to stay in the same place and I'm not trying to compete with what's currently in fashion. That would be dishonest. But, at the same time, I'm different and the music reflects that to some degree.
What we see is what they're trying to sell us. It's not true nostalgic as much as it is repeating old material because it's less expensive than new material.
I will direct films be it my own productions or outside. It's not like I am here only to direct Salman.
I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
At WSX I think I was very much trying to figure it out on my own and we were creating our own style and our own thing. I can only speak for myself, I was not trying to be anything. I was not trying to be like anyone else.
How to avoid cliche at the root of conception? Practice sincerity. If we've come by ... material honestly, through our own personal experience or imagination, we may rightly claim it as our own. ... The way to make material your own is to look for it in yourself. ... It should be a story that only you can tell, as only you can tell it.
A lot of the time in my recurring dreams, before I was diagnosed, iconic people would either be good or evil figures. I remember dreaming really basic stuff like trying to navigate the London underground, but then Paul Newman would be the only one who would direct me to the right trains. And I'm trying to remember who would direct me to the wrong ones.
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