A Quote by Tom Smothers

I wanted to be in show business, and I was funny. — © Tom Smothers
I wanted to be in show business, and I was funny.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
There is no business like show business, Irving Berlin once proclaimed, and thirty years ago he may have been right, but not anymore. Nowadays almost every business is like show business, including politics, which has become more like show business than show business is.
The tagline behind "House of Lies" is funny, dirty, business. The show is a comedy satire about how big business operates. Most Americans that work in corporate America should be able to relate to this show.
You know, back when I was a kid who wanted to be in show business, everybody on TV wore nice clothes. They were very glamorous when they would be on the 'Tonight Show.' All the dudes wore suits and ties and that just seemed like real show business to me.
Most people who go into show business want to go into show business. I wanted to be Porky Pig. That was my goal in life when I was five, to which my mother said, you can't be Porky Pig. You're Jewish! I don't think she realized what I wanted to do with the pig...I didn't want to eat him, I wanted to voice him.
I wanted to be a model; I wanted to be a nurse; I wanted to be so many things, almost anything but being part of show business.
Comedy Central wanted to do a show with me, I had a couple failures under my belt with them already, but they still wanted to try something else. They came to me and said they wanted to do something that was internet focused and created original content on their site, so they could compete with the funny or dies and what not. So that was the premise, and they gave us a small amount of money, $5000, and from there it turned into the show.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
Before 'Sunny' came along, I would audition and do chemistry reads with very funny actors. And then they would cast someone who was beautiful and benign. I don't think that very funny men wanted to headline with very funny women. They wanted to be the funny ones, and they wanted the wife to be the wife. That was very frustrating.
I wanted to do an hour-long show, and I wanted to something that was dramatic and sometimes funny and humorous, as well. I'm just delighted to have this opportunity to be a part of this project.
I was always in show business but in many ways was not really of show business. I didn't move in show business circles, particularly, still don't do it.
I didn't have the drive; I never wanted to be in show business. I went into my father's business because of osmosis.
I never wanted to be in the show business. I wanted to do special effects.
By the time I was ready for college, I didn't know what I wanted to do. I think I secretly wanted a show business career, but I was suppressing it.
That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.
You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.
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