A Quote by Tom Standage

By tracing the careers of the four members of the Philosophical Breakfast Club, Laura Snyder has found a wonderful way not just to tell the great stories of 19th-century science, but to bring them vividly to life.
I'd love to have a 19th Century Russian book club where all the members had to act like the pretentious minor noblemen they were reading about.
Rubio and Cruz bring with them only in America personal stories that rival the 'log cabin' narratives of presidential candidates the 19th Century. They are Hispanic-American children of immigrants.
You had a flood of immigrants, millions of them, coming to this country. What brought them here? It was the hope for a better life for them and their children. And, in the main, they succeeded. It is hard to find any century in history, in which so large a number of people experience so great an improvement in the conditions of their life, in the opportunities open to them, as in the period of the 19th and early 20th century.
I founded a club, which is called the Brutally Early Club. It's basically a breakfast salon for the 21st century where art meets science meets architecture meets literature.
Its highest point was The Worst Journey in the World. Then you see this decline, and this harking back, using the 19th-century form when we're not in the 19th century. That way of writing a book about the world out there - you just can't do it anymore.
The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.
I first came to Russia because of the culture, literature and music... and my interest in the 19th-century revolutionary spirit of Herzen, Bakunin and Kropotkin. Russia is a wonderful place to bring new clowns because Russians give back a wonderful response.
I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
I am busier now than I ever imagined I would be, but I feel blessed in that I have found what I am supposed to be doing with my life. It's wonderful to tell stories and have people listen to them.
Short stories are wonderful and extremely challenging, and the joy of them, because it only takes me three or four months to write, I can take more risks with them. It's just less of your life invested.
I read a lot of fantasy. I adored 'Anne of Green Gables'. But my favourite books as a child were probably Laura Ingalls Wilder's 'Little House' series, about a pioneer family in the mid-19th-century American west. I often thought of them as I was writing 'The Last Runaway'.
Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
I think many people have wonderful stories inside them and the talent to tell those stories. But the writing life, with its isolation and uncertain outcomes, keeps most from the task.
Wes [Anderson] is brilliant, kind, and just absolutely fantastic. He was really amazing in the way he can just take ideas, turn them into such beautiful stories, and then bring them to life with these amazing films the way he does.
I wish I was better at art. I love some of the great artists of the 19th century and, compared to them, I just feel I lack this technique that they had. They have so much skill.
We've got in the habit of not really understanding how freedom was in the 19th century, the idea of government of the people in the 19th century. America commits itself to that in theory.
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