A Quote by Tom Stoppard
I think theater ought to be theatrical ... you know, shuffling the pack in different ways so that it's -- there's always some kind of ambush involved in the experience. You're being ambushed by an unexpected word, or by an elephant falling out of the cupboard, whatever it is.
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I think theater ought to be theatrical.
The word 'improv' always makes me feel a little anxious because I always feel like we'll have to pull props out of a bag and find 800 different ways to talk about a stick, the way you do in theater school.
Theatrical experience will always be the norm in India. In fact, as a producer and as an actor, I always hope that the magnum opus theatrical experience should always continue.
This is what metaphor is. It is not saying that an ant is an elephant. Perhaps; both are alive. No. Metaphor is saying the ant is an elephant. Now, logically speaking, I know there is a difference. If you put elephants and ants before me, I believe that every time I will correctly identify the elephant and the ant. So metaphor must come from a very different place than that of the logical, intelligent mind. It comes from a place that is very courageous, willing to step out of our preconceived ways of seeing things and open so large that it can see the oneness in an ant and in an elephant.
I’m not certain you’d know the right sort of man for you if he arrived on our doorstep riding an elephant.” “I would think the elephant would be a fairly good indication that I ought to look elsewhere.
Angels is a tough word, because it is so involved with organized religion and everything else. I do know, absolutely, from my experience, there are some kind of spiritual entities - force, power, intelligence - that guide me through each and every day, as long as I'm willing to accept, recognize, and surrender to their guidance. It's always there, but there are times when I insist upon having my way.
Prisoners do different things. Some write, some read. Some engage in athletic events and working out and some do all of that. Some get involved in the religious groups that they're part of. Some get involved in hobbies that are permitted in prison. There are plenty of ways to stay busy. You're never going to survive in prison unless you start getting busy.
But as the work proceeded I was continually reminded of the fable about the elephant and the tortoise. Having constructed an elephant upon which the mathematical world could rest, I found the elephant tottering, and proceeded to construct a tortoise to keep the elephant from falling. But the tortoise was not more secure than the elephant, and after some twenty years of very arduous toil, I came to the conclusion that there was nothing more that I could do in the way of making mathematical knowledge indubitable.
The part that I know I enjoy most is the restaurants. You can't do everything, you know? For me, the priority has been being deeply involved in my restaurants and figuring out different ways to make them run better.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I know that whatever I put out, whether people think it's pop or noise or whatever, it's always going to be some kind of a freak or mutation. It's not going to be anything pure that a lot of people will relate to. And that's fine.
They [American Indians] never did straight-up fights. It wasn't about, you know, getting killed in the line of fire. It was all ambush, ambush, ambush, and you ambush somebody, and then you take the scalps, and you - even though scalping wasn't created by the American Indians. It was created by the white man against Indians, and they just took it and claimed it.
It's such an interesting experience seeing how different people react to music and the generosity of some and the craziness of others - people who go see bands in different countries, know all the words to the songs, and get tattoos. It's so unexpected.
I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.
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