A Quote by Tom Stoppard

can only write about what bites you. — © Tom Stoppard
can only write about what bites you.

Quote Topics

Just write about what bites you and damn the rest.
If I have a weakness, it's probably ice cream. That's where I get lax, sloppy. I'll sneak into the refrigerator at night and take two or three bites and put it back. Butter pecan. Only two or three bites, but it shows.
Experience is the only real teacher and if you keep a diary you get three bites at educating yourself - when it happens, when you write it down, and when you reread it and realise you were wrong. Making mistakes is part of life. The only things I would feel ashamed of would be if I had said things I hadn't believed in order to get on. Some politicians do do that.
I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
Political poetry is the hardest thing to write because you cannot preach to the converted, and if you're only seeking to convert, then write an editorial. I hope I can write about Trump; he's too major a force not to be written about.
For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
More than once at TechCrunch, we made AOL extremely uncomfortable with things that we wrote. But they never ordered us to write or not write about something because they understood that not only would we not comply, we'd write a post about the whole thing.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
There are many things to admire about Japan but this is the one thing I love the most and probably the only time I eat breakfast. Fish, eggs, soup, salad, veggies; all in the tiniest bites. It's a full meal, but it's so refreshing.
'Matisse and Picasso' is a little like Plato after Socrates. Socrates only taught in words. He didn't write. And after that, you had Plato and Aristotle to write about what he had said. I write about them because they didn't write about them.
To write about history or language is supposed to be within the reach of every man. To write about natural science is allowed to be within the reach only of those who have mastered the subjects on which they write.
I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
I was born in the summer, but I hate it because I'm allergic to bug bites. I would go play with my cousins, and then we'd go inside and I'd have mosquito bites everywhere. But mine are different - like, they blow up with puss. It's really bad.
My teachers always said, "You're very talented, but don't set your heart on art. You're only a girl." I was inspired by Virginia Woolf in 1960, but they wouldn't let me write about her. They said she was a trivializer. I also wanted to do a paper on Simone de Beauvoir, and my philosophy teacher said, "Why would you write about the mistress? Write about the master." That was Sartre.
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