A Quote by Tom Stoppard
I have to go with what I do, and what I do has more to do with what people say to each other than telling a story through images. Of course, you're trying to do both. And there are some people who are brilliant at it, but I don't consider myself to be particularly good at it. My mind gets into a verbal mode.
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I know some good marriages-marriages where both people are just trying to get through their days by helping each other, being good to each other.
Each one of us has lived through some devastation, some loneliness, some weather superstorm or spiritual superstorm, when we look at each other we must say, I understand. I understand how you feel because I have been there myself. We must support each other and empathize with each other because each of us is more alike than we are unalike.
My mind gets into a verbal mode.
Actually, I don't really consider myself either a Liberal or a Conservative. Truth be told, I consider myself a 'Truthetarian.' I try to examine each separate issue and go to where I feel the truth is. And, yes, I must admit that more often than not, when I do this, upon arrival, I do seem to find myself in the company of left-minded people. However, quite often, I'm more than a little surprised to find myself standing in a room full of right-wingers!
If I have an unusual gift, it's not that I draw particularly better than other people - I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images - the emotional quality - of particular moments in childhood. Happily an essential part of myself - my dreaming life - still lives in the light of childhood.
There are more than 100 million African women who go topless at some point in the day, each and every day, to honor both God and our ancestors. So being in a country like America where nothing is hated more than the image of the black woman, even by black people'because her womb produces the black man and makes us black'I find it of grave importance to implement African images, and especially to produce media images that acknowledge the sexual power and fertility of black women.
I do think how two people dance with each other is indicative of how they feel about each other. It can tell a lot more than a verbal scene.
I want to do things that shock people. I think that persona attributes more to the roles that other people may consider me for, rather than the ones I consider for myself.
The primary mode of experiencing images is non-verbal... but once it's brought out into the light of the day, what's understood by the subconscious intuitive mind can be better grasped by the conscious rational mind. Aligning the two produces powerful results.
I get through difficult situations by looking at how other people have gone through them. I say to myself, 'If they can go through it, then I can.' Or, If they can go through worse, I can go through whatever I'm going through.
We don't live in a shared reality, we each live in a reality of our own, and causing upset is often the price of trying to reach each other. It's always easier to dismiss other people than to go through the awkward and time consuming process of understanding them. We have given 'taking offense' a social status it doesn't deserve: it's not much more than a way of avoiding difficult conversations.
I try to keep in my mind the simple question: Am I trying to do good or make myself look good? Too many of our responsibilities get added to our plate when we are trying to please people, impress people, prove ourselves, acquire power, increase our prestige. All those motivations are about looking good more than doing good.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
The war being waged against the radical imagination, particularly around young people, is just startling. Young people are laboring under a burden of debt that so ties them to a survivalist mode of existence that it's impossible for them to dream anymore. Trying to recognize what the forces are that actually squelch the imagination is a lot more interesting to me than people who go and "find themselves" because they're no longer on the grid.
There are always going to be jerks in the world . . . [but] there are more good people on this earth than bad people, and the good people watch out for each other and take care of each other.
Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.
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