A Quote by Tom Stoppard

I'm very unhappy about my entire life if my writing is going wrong. — © Tom Stoppard
I'm very unhappy about my entire life if my writing is going wrong.
I never said I'm unhappy about going to the ACC. I'm unhappy the Big East broke up. That's a completely different thing than saying I'm unhappy about going to the ACC.
In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.
Be careful about anybody who's running for president who's going to tell you that they're going to build a wall across the entire southern border. It's not going to happen. It is the wrong message to send. And it's not going to be effective.
I was so invested in ballet, and it was my entire life. And then it was realizing that I didn't want it to be my entire life forever. And then it was this very specific life, and I wanted to learn about other things. So I modeled to fill the time because dancing was very much a job, even when I was 14 years old.
Everything is connected. Connectivity is going to be the key to addressing these issues, like contaminants and climate change. They're not just about contaminants on your plate. They're not just about the ice depleting. They're about the issue of humanity. What we do every day - whether you live in Mexico, the United States, Russia, China ... can have a very negative impact on an entire way of life for an entire people far away from that source.
Although I think I'm relatively happy as a person, I think there's something unhappy at the root of all my writing. I'd say optimistic but unhappy. Nothing that's particularly original, other than that we're going to live and die, and terrible things happen.
I think if you're an unhappy person, you're always going to be an unhappy person. You're probably going to be less unhappy if your business is doing well, if I'm being honest.
My family was very unhappy about my becoming a photographer - profoundly and deeply unhappy.
I'm just as unhappy about San Antonio as I was about Chicago. If you're unhappy about certain things, you're unhappy everywhere.
I was very unhappy when I used to record and things wouldn't turn out the way I would want to, because I was being such a nice girl. I wouldn't complain when things were going wrong.
I think - I hope - that we're going to be able to build something here with U.S. Soccer, where it's not just going to be about one lost match or one lost cycle or one lost team. It's going to be about an entire country rallying around an entire sport in a way that lasts.
I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.
I'm very unhappy when I'm not writing.
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
Sitcom writing is difficult because it's not just about writing jokes - there's a very fine balance between characters, plot, and comedy, that if you get one thing wrong, the whole castle comes falling down.
One of the things that draws writers to writing is that they can get things right that they got wrong in real life by writing about them.
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