A Quote by Tom Stoppard
People have quite a simple idea about 'Anna Karenina.' They feel that the novel is entirely about a young married woman who falls in love with a cavalry officer and leaves her husband after much agony, and pays the price for that.
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Anna Karenina is just a story about a woman falling in love with a bloke who is not her husband. Its gossip, rubbish - on the other hand, its the deepest story there could be about social transgression, about love, betrayal, duty, children.
'Anna Karenina' is just a story about a woman falling in love with a bloke who is not her husband. It's gossip, rubbish - on the other hand, it's the deepest story there could be about social transgression, about love, betrayal, duty, children.
Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
Twilight, I'm sorry, is about a very unhealthy, toxic relationship. She falls in love with this guy and the second he leaves her, her life is over and she's going to kill herself! What message are we sending to young people? That is not going to help this world evolve.
The ideal woman which is in every man's mind is evoked by a word or phrase or the shape of her wrist, her hand. The most beautiful description of a woman is by understatement. Remember, all Tolstoy ever said to describe Anna Karenina was that she was beautiful and could see in the dark like a cat. Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.
A man will teach his wife what is needed to arouse his desires. And there is no reason for a woman to know any more than what her husband is prepared to teach her. If she gets married knowing far too much about what she wants and doesn't want then she will be ready to find fault with her husband.
One of the stories that really impressed me was 'Anna Karenina.' As a novel, that made an impression on me, showing me what the novel can do.
Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.
As a young woman, Ama Ata Aidoo the freedom fighter vowed never to write love stories. Let’s delight in the fact that over the years she has changed her mind about the value of writing about love, as her rich edited collection of highly original and diverse ‘African Love Stories’ demonstrates. She has traveled her path and had the courage to grow and change while retaining her deep commitment to Pan- Africanism. Love flourishes, after all is said and done.
I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.
A romance novel focuses exclusively on two people falling in love. It can't be about a woman caring for her aging mother or something like that. It can have that element, but it has to be primarily about the male-female relationship.
A woman who takes her husband about with her everywhere is like a cat that goes on playing with a mouse long after she's killed it.
'J' is a novel. A story about what it is like for people after a terrible event. And it is a love story, because I feel a novel is inevitably a love story.
Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
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