A Quote by Tom Stoppard
I have about a dozen cassettes lying about which I use in random order. Very often, I pick up a cassette to dictate a letter, and I find my voice coming back at me with the lines of plays three years old.
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My fear of coming out wasn't about rejection. I was scared people would say: 'Why were you lying to me? If you've been lying about that what else are you lying about?' Lying is my biggest regret.
Technology has very little to do with what I do. I have a purpose built studio but all I need for writing is my piano and a cassette recorder as I still use cassettes.
What vexes me most is, that my female friends, who could bear me very well a dozen years ago, have now forsaken me, although I am not so old in proportion to them as I formerly was: which I can prove by arithmetic, for then I was double their age, which now I am not. Letter to Alexander Pope. 7 Feb. 1736.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
I didn't pick up a ball for three years. It was very depressing for me because, as a professional, it's very difficult when you can't use the facilities, play cricket; you can't even touch the ball, so what are you going to do then?
I was a little boy singing sad songs, about 9 or 10 years old in the woods. I listened to my voice coming back to me. It was as high as you could go. I dreamed of being famous as a singer when I was on those cotton fields. I wanted to see the world and meet people.
Certainly working with teens keeps me up to date with language and with certain kinds of thinking. I often feel like I have to go back to that 17-year-old Chris Crutcher, and that forms the core voice. I can draw on teens from 1964 to 2001 to find a part of the voice I need.
At another house two women learned very fast; I say women, but one was a girl about twelve or thirteen, already married, however. There was a little child about three years old. My sister asked, 'Who is the True God's Son?' The little thing replied, in a very sweet voice, 'Jesus.'
Childhood, all me influences were, say, between the time that I can remember, which would have been about three years old to the time that I was about five or six years old, all the music that I ever heard was jazz and it was American jazz, and it was big-band jazz, to be more defined.
We often dream about people from whom we receive a letter by the next post. I have ascertained on several occasions that at the moment when the dream occurred the letter was already lying in the post-office of the addressee.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
Growing up, I'd heard so much about Barbados. It was where my parents spent their honeymoon and they also spoke about the time they took me when I was three years old.
The Internet is a big place where a lot of people can voice their opinions, and my mother chooses to pick fights with random people from all over the world who don't have the nicest things to say about me.
For Tommy, on that hot and empty afternoon, was in a state of mind in which grown-up people go away and write books about their whole world, and stories about what it is like to be married, and plays about the important problems of modern times. Tommy, being only ten years old, was not able to do harm on this large and handsome scale.
I am often asked why I use a variety of pen names. The answer is that this way readers always know which of my three worlds they will be entering when they pick up one of my books.
And there I saw in the night the vision of a man....coming as it were from Ireland, with countless letters. And he gave me one of them, and I read the opening words of the letter, which were, The voice of the Irish...and as I read the beginning of the letter I thought that at the same moment I heard their voice - they were those beside the Wood of Voclut, which is near the Western Sea - and thus did they cry out as with one mouth: We ask thee, boy, come and walk among us once more.
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