A Quote by Tom Stoppard

I think I give the impression of being a romantic, and I think inside I'm quite severe. But some might say they had the opposite impression of me. — © Tom Stoppard
I think I give the impression of being a romantic, and I think inside I'm quite severe. But some might say they had the opposite impression of me.
I think if you watch a lot of what I do, you're going to ultimately walk away seeing me. I can't hide - that impression is a personal impression people have of me.
The general perception, in much of the Middle East, is that the United States is an unreliable friend and a harmless enemy. I think we want to give the exact opposite impression.
Be not swept off your feet by the vividness of the impression, but say, "Impression, wait for me a little. Let me see what you are and what you represent. Let me try you."
Sometimes, just to give the impression that you have the strength and the vitality demands a lot. You can't always give that impression when you have heels and a wig on and it's 40 degrees outside.
I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the costumes arrive and I can see his silhouette in the mirror. Then I go memorize all the lines and try and connect each line to a thought I think he might have. Then I show up on the day, wait my turn, and when the director calls "action," I trust that I have done enough work on my impression that I can just believe it strongly enough to play with abandon from inside that character.
I actually think of myself as quite a shy person, although I know I give the impression of someone much more confident. I think what I do have is a capacity to listen to the other, even if the other is an opponent. That leads, in all senses of the word, to an engagement.
The first impression that I liked doing was an impression of Cheri Oteri's Barbara Walters impression on 'SNL.' I found that I could mimic that pretty well, and people got a kick out of that.
In the movies first impressions are everything. Or, to put it less drastically, in the movies there are no later impressions without a first impression, because you will have stopped watching. Sometimes a critic persuades you to give an unpromising-looking movie a chance, but the movie had better convey the impression pretty quickly that the critic might be right.
A lot of people get the wrong impression, think there's something romantic or tragic about hitting bottom.
I used to routinely turn down things that might compound the impression that I was some kind of vacuous blonde. But now, when I look back, I think I should have done them because I would be very rich - being taken seriously isn't all it's cracked up to be.
Diplomacy was what I wanted to do. From really quite an early age and I think I had a false impression that diplomacy equals travel.
The consequence was a positively fanatic [orgy of] freethinking coupled with the impression that youth is being deceived by the state through lies; it was a crushing impression
A visual always brings a first impression. But if there's going to be a first impression, I might as well use it to control the story. So why not do something like throw a mask on?
You could be in a room with somebody you don't realize you're in a room with and that first impression or something that you give off might be appreciated by someone or it might not. I'm always just being mindful of you never know who's watching.
You can create a good impression on yourself by being right . . . but for creating a good impression on others there's nothing to beat being totally and catastrophically wrong.
You can create a good impression on yourself by being right, he realizes, but for creating a good impression on others there's nothing to beat being totally and catastrophically wrong.
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