A Quote by Tom Stoppard
When I was a reporter in Bristol, which I was between the years 1954 and 1960, the newspaper would get tickets for whoever showed up to play a gig at the big hall down the road, so I saw some wonderful people. The Everly Brothers, for example.
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There's not much a newspaper reporter can do about dead men. But a newspaper reporter and a cop and a judge can deliver some justice. That's why the founding fathers wrote it up the way they did, I suppose. Life. Liberty. Pursuit of happiness. Everyone is entitled to those things.
I blame and credit my brothers for my competitive fire within me. Growing up, I lost at everything! My brothers are quite a bit older - 10 years and 5 years - so it was a challenge, but I have some of the most amazing memories with my big brothers.
I had - all my life, everybody who knew me thought that I would probably grow up to be a reporter, a newspaper reporter because we didn't have much television in those days.
I would hope that wherever I was I would be me. I have been influenced by some wonderful people who showed me that there is an integral relationship between faith and life at home. Evil is evil, repression is repression anywhere. And if it is not consistent with what one believes is God's will, then I would hope that one would be able to witness it, and there are wonderful people who do so in very great risks to themselves.
You never get tired of making money, and you never get tired of a great acting gig, a same role that you can play for years, with wonderful writing and wonderful actors.
My grandfather had been a newspaper reporter, as was my uncle. They were pretty good writers and so I thought maybe somewhere down the line I would do some writing.
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
If your gig is not in an office for eight hours a day, its going to be somewhere. If you're a truck driver, you get on a road. If you're a musician, you go to where the people are going to show up and you take the gig. I enjoy it, so I don't and I'm not complaining. Its just the traveling can get to be a bit much.
I did meet 'The Everly Brothers' once, and we talked for awhile. Then we figured out we were first cousins! My late mother was the sister of Don and Phil's father, Ike Everly.
On my first European solo tour, I was selling maybe 50 tickets a city until I showed up in Paris and heard the show was already at 150 tickets, which, at the time, really blew my mind and took me by complete surprise.
In the early days I was on the road 45-50 weeks a year, driving from gig to gig 6-8 weeks in a row. Not everyone can do that. The show becomes the easy part. Tt's the life on the road that is the hardest... and you can't get any good at standup unless you do the road.
I would love to write a song with the Everly brothers. But it's probably best not to work with someone you admire: they'll just show up your inadequacies.
I've played in some pretty weird settings; busking puts you in all kinds of situations. I can tell you the most depressing gig I've played was in the North of England. At that time, I was playing with a band. We drove 7 or 8 hours to Carlisle to play a 600 - 700 capacity venue - 9 people showed up.
You hear about bands who say, "We did one show where only 20 people showed up", well that was our average gig for five years.
My father told me when I first started that standup is exciting and I should pursue it, but that writing would be the thing that would give me power over my career. I never have to take a road gig or a writing gig I don't want because I always have the ability to play one against the other.
We started out when I was 6 years old. We played ukuleles and sang Everly Brothers songs.
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