A Quote by Tom Stoppard

You can't go around chasing your own plays and showing up every time somebody does one somewhere. You just cross your fingers and hope that they're OK. — © Tom Stoppard
You can't go around chasing your own plays and showing up every time somebody does one somewhere. You just cross your fingers and hope that they're OK.
A lot of what I've had produced are plays, and I just don't want to do that. It's different than a movie, where you only have to act the scenes the one time, and you have other collaborators helping you make it better, so you don't feel as obsessed with your own mind. Plays you have to do every single night, and the thought of that is agony to me. There are days when you hate your own work, and you don't want to be confronted with that, have it coming out of your mouth or listening to somebody else say it to you. There are days you want to leave the theater and get a drink.
The best way in the world to advertise is to get somebody else to run around with the name of your product on their person or showing it around somewhere and not only that but they're paying for it.
I was into the music, but the idea of showing up places on time or having to tell people when you're not going to be somewhere - that just didn't even cross my mind.
Hope is not something you can just place in your back pocket or put your fingers around – it’s the belief in a world that has yet to exist.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
Faith seems to grab people and not let go, but hope is a double-crosser. It can beat it on you anytime; it's your job to dig in your heels and hang on. Must be nice to have hope in your pocket, like loose change you could jingle through your fingers.
I think it's because in America you always get the sense that if you fail, you can just pack up your things and go somewhere else and try again. But in England, it's so geographically small that if somebody succeeds here, it reduces your chances of succeeding.
When something works for you, all you can do is cross your fingers and hope that it will work for someone else.
If you're somebody that gets a chance to go somewhere... that has to work somewhere or go to another city, then do your best to see it. Because I just think that's the best way to have an interesting life.
All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life.
I don't ... like rhythm, assonance, all that stuff. You just go on your nerve. If someone's chasing you down the street with a knife you just run, you don't turn around and shout, 'Give it up! I was a track star for Mineola Prep.'
I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.
Spending time chasing the puck around your own end isn't really a good recipe for success.
I've always asked myself, what does it mean to love your neighbor. Like what does that exactly mean? And it means that we have an obligation to one another in every facet of life. In every facet! It starts with being present in somebody's life. And somebody that may not look like you, may not understand you, but just going out of your way to just be there!
It's amazing what can happen if you just put your arm around somebody. It's the truest thing and the simplest thing that does the most good a lot of times and I hope that we can all just reach out to each other.
Every time you say 'I don't want to hear it' when someone is going to tell an ethnic joke, or every time you help somebody cross the street or put money in the bucket in your place of worship, you're making a difference.
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