A Quote by Tom Stoppard
One of the nice things about the world of filmmaking is that you make friends in the business. Sometimes directors feel a script needs something, but they're not sure what it is, so they show it to a friend; if the friend is a writer, he ends up kicking around with that script for a while.
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Sometimes directors feel a script needs something, but they're not sure what it is, so they show it to a friend; if the friend is a writer, he ends up kicking around with that script for a while.
All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script, and it's very linear. There's a script, then you're going to shoot the script ,and then you cut that, and then that's the end of the film. And that's never really been how I've seen it.
One of the nice things about the world of filmmaking is that you make friends in the business.
If I read the right script, if that script needs $5 million, if that script needs $50 million, I don't care. If I read a project that's beautiful, that I really want to make, whatever it needs, it needs.
When I was growing up skateboarding, a bunch of friends and I went to this thrift store and as we were leaving I jumped up and passed gas in my friend's face. I turned around and it wasn't my friend, it was this nice old lady who was just walking out of the store. That was probably one of the more awkward apologies I've had to make in my life.
The man that is popular with the world is not a friend of Jesus. You cannot serve two masters. The world hates Christ, and if you are a friend of the world you cannot be a friend of His. You may be sure that something is wrong with you when everybody is your friend.
You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.
Sometimes you can make friends, and sometimes you can take friends. Sometimes people want to be friends with you, and you gotta be like, 'Okay, I can deal with this person's personality and be their friend, but not necessarily do I have to change who I am. I'm not gonna change myself to be their friend.'
When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.
I'll be anybody's friend, but only because I want to be their friend, not because I need something from them. This kind of an attitude sometimes makes it so some people - who want something from me and can't have it because they're not nice people - have an influence that can make things not great sometimes. But I don't care, because those people will be gone in a year anyway.
I am a pathetic and gushing Nick Hornby fan, and I wanted to be in High Fidelity, and I wanted to be in About A Boy, and those two directors - one who's a dear friend, and one who has never cast me in anything, despite my pleading... So there was another Nick Hornby script going around being cast by a friend of mine, and she said, "There's a very small role in it, but you'd be right for it." I was like "I don't care how small, I'm going to be in this Nick Hornby film."
I wrote the script of Patton. I had this very bizarre opening where he stands up in front of an American flag and gives this speech. Ultimately, I was fired. When the script was done, they hired another writer and that script was forgotten.
All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script and it's very linear.
To make a great film you need three things - the script, the script and the script.
Friends can be incredible sometimes, but have you ever had a friend that can be really annoying or really mean to you? Friends shouldn't stab you in the back. Have you ever wondered if your friend has ever said stuff about you to their other friends? It gets pretty intimidating sometimes to think about that. What I'm saying is to find your friends that are real. Don't keep the ones that are fake and are just friends with you for what you have. Be strong. Don't take no for an answer. Never back down. Stand up for what you believe in. Friends are great to have, but just be cautious. (.
As an actor, I know immediately if I'm saying a word that doesn't feel right coming out of my mouth, and I know how to change it. But as a director watching something, or even as a writer reading a script, sometimes it's not always clear what needs to be fixed.
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