A Quote by Tom Stoppard

In Chekhov, everything blends into its opposite, just fractionally, and this is sort of unsettling. And that's why you end up 100 years later asking, 'Is that moment tragic or comic?'
The Socratic demonstration of the ultimate unity of tragic and comic drama is forever lost. But the proof is in the art of Chekhov.
"Do you know," Ivan Bunin recalls Anton Chekhov saying to him in 1899, near the end of his too-short life, "for how many years I shall be read? Seven." "Why seven?" Bunin asked. "Well," Chekhov answered, "seven and a half then."
I drew the same things that most boys drew - airplanes and cars and fire engines. Then later on I discovered comic books, and I began to create my own comic stories. I was a comic writer, even when I was five or six years old. I would just make up stories because I thought it was fun.
The sage has the sun and moon by his side and the universe under his arm. He blends everything into a harmonious whole. . . . He blends the disparities of ten thousand years into one complete purity. All things are blended like this and mutually involve each other.
I go to see plays all the time, and whenever I see Chekhov, I'm amazed at how this Russian play strikes home to me living 100 years later in New York City. I'm drawn to him because of his way with characters and their relationships with each other.
I can't turn hip-hop off, just like I can't turn comic books off. It blends into everything for me.
I do think everything that happens in American pop culture sort of prescribes for England and does end up happening there six months later, maybe a year.
One of the tricky things about sort of larger, comic-book action movies is that the scale is so big that they have to save the world at the end of every movie, and so at the end of each of the films, either Chicago or New York end up getting obliterated.
What is there to understand? The significance of life? How long will it take to understand the significance and the meaning of life? 20 years? 30 years? And the same question will be here in another 20 years, I guarantee you. Until you stop asking that question. When that question is not there, you are there. So that's the reason why you keep asking the question: you do not want the question to come to an end. When that comes to an end, there will not be anybody, left there, to find out the meaning, the purpose and the significance of life.
He found a formula for drawing comic rabbits: This formula for drawing comic rabbits paid. Till in the end he could not change the tragic habits This formula for drawing comic rabbits made.
How much do people really want to learn? I mean, some people get into a groove and they stay with it indefinitely. And what starts off as a great moment of explosive passion can end up as cabaret 25, 30 years later. It just depends on whether you go and find the right habitat to extend yourself.
It is tragic-comic to see that all this knowledge and understanding exercises no power at all over men's lives, that their lives do not express in the remotest way what they have understood, but rather the opposite.
Chekhov directors and Chekhov actors love working on his plays because there seems to be no end to what you can find out about the micro-narrative when you're investigating a text.
I sort of jumped out of movies and into the lifeboat of comics. I loved it right away. It was the opposite of film school. Whatever was in my imagination could end up in the finished product. There were just no limitations.
We have to have a vision of the world we want to make in 100 years. And maybe when we have that vision, when we convince enough people that that is a realistic vision, and that the opposite vision is basically that if we don't do something in this 100 years, a hundred years from now this world is gonna be so destroyed, so raped and ravished that we won't HAVE much of a world to save.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.
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