A Quote by Tom Sturridge

I always think that period between the ages of 18 and 24 is such a bizarre stage, and the two people at either end are always very different. — © Tom Sturridge
I always think that period between the ages of 18 and 24 is such a bizarre stage, and the two people at either end are always very different.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
We're a team, and just by the nature of our sport, we're always promoted together. I think we are definitely two different people with two different personalities, but we're always linked.
When I was growing up, traveling was my family's modus operandi. Between the ages of 4 and 18, I attended six different schools on three different continents.
In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.
Portnoy's Complaint' was very far out there, and movies have always worked when you have either a funny situation between two or more people or a very dramatic situation. There's not that much difference.
'Portnoy's Complaint' was very far out there, and movies have always worked when you have either a funny situation between two or more people or a very dramatic situation. There's not that much difference.
I think there's always some good reason to try and modernize most period things, because at the end of the day, they may have, I suppose, used a different language or a different etiquette, but ultimately, these are still people that loved and breathed and lived and ate and weed and pooed just like we do now.
To be honest, for me, my main workout is when I'm on stage. Even though I make pop music, I don't think I perform in the classic 'pop star' sort of way. I'm very active on stage; I always end up dripping in sweat afterwards. It's always like a full-on, wild performance, so that's pretty much like my exercise, I would say.
People get stupid when they're in love; people want what they can't have; and the years between ages twelve and eighteen always, always suck.
Our audiences were always the most bizarre mix. You'd have a thousand screaming girls in the front of the stage and then ten very serious rock critics in the back of the room going, 'Uh-huh, I think we understand this.'
I always treat shows as though they could belong on either platform. I always design it for the bigger stage, but I love it on the smaller stage.
I have always believed that chemistry can't be created between two people. You either have it or you don't. The script can only enhance it.
I've always loved performing. It was always very exciting for me. I don't get too nervous when I'm playing, but on every stage, it's a little different. I'm always excited, but sometimes, the level of anxiety to perform is greater.
I believe very much in a dialogue between buildings - I believe it's always been there. I think buildings have different identities and live very well next to each other. We always have the shock of the new, and that's fine. The renaissance style is totally different from the medieval, and they have a dialogue across time.
I lost $4 million of other people's money between the ages of 24 and 26.
I think you do a lot of your growing as a human being between the ages of 13 and 18.
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