A Quote by Tom Sturridge

To be an English person in my 20s, doing a Broadway show - it's one of the mountains I wanted to climb. — © Tom Sturridge
To be an English person in my 20s, doing a Broadway show - it's one of the mountains I wanted to climb.
You don't climb mountains without a team, you don't climb mountains without being fit, you don't climb mountains without being prepared and you don't climb mountains without balancing the risks and rewards. And you never climb a mountain on accident - it has to be intentional.
You soon realize that the peak you've climbed was one of the lowest, that the mountain was part of a chain of mountains, that there are still so many, so many mountains to climb...And the more you climb, the more you want to climb - even though you're dead tired.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I feel like I'm doing what I love. If I can get out, shoot, film and climb, and be with my friends and family, I'm happy. It doesn't take a lot. I don't need to climb huge mountains. I have a deep connection with wilderness and the environment, and I'm thankful for that.
The tops of mountains are among the unfinished parts of the globe, whither it is a slight insult to the gods to climb and pry intotheir secrets, and try their effect on our humanity. Only daring and insolent men, perchance, go there. Simple races, as savages, do not climb mountains,--their tops are sacred and mysterious tracts never visited by them. Pomola is always angry with those who climb the summit of Ktaadn.
My last show that I did on Broadway was - I hate to say this, but - 'Cats.' There you go. So I was doing 'Cats' on Broadway, and I injured my back. It was a really tough show.
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
I was super skeptical about doing TV. I said no three times, part of which was confidence because I didn't really understand that world. I know how to climb mountains and do all that, but I wasn't a TV person.
I don't climb mountains. Mountains climb me. The mountain is myself. I climb on myself.
'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
I have the tools to climb the mountain so I don't mind climbing mountains. I have climbed mountains since I was growing up in east London in Plaistow. I'm not scared of climbing mountains. When you get to the top, the view's great. That's what it's all about.
I always wanted to be a Broadway star. That's actually what I wanted to be when I was a kid. I wanted to be the 19-year-old sensation on Broadway. It took a little bit longer than that.
For 'Jeremiah Johnson,' nobody wanted to make that film. I went to Sydney Pollack, and I said, 'Sydney, I live in the mountains, and I would like to make a film about a person that had to exist in the mountains and survive in the mountains.'
I used to climb mountains a lot; I decided to go to Pakistan to climb K2, the world's second-highest mountain. I didn't get quite to the top.
I always wanted to be on a great TV show and in a Broadway show and have a CD out, and the fact that they happened simultaneously is kind of an embarrassment of riches.
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