A Quote by Tom T. Hall

The enticing allure of Nashville is that there is always something new coming down the pike. Put this record on and you’ll hear footsteps. — © Tom T. Hall
The enticing allure of Nashville is that there is always something new coming down the pike. Put this record on and you’ll hear footsteps.
Pike put down the cat. He slid from Pike's arms like molasses and puddled at his feet.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
My album was recorded in Nashville. It used to be all about "We're from Texas, forget Nashville," well you'll never hear me say that. Nashville isn't bad as long as you're true to yourself.
A Pike, in the California dialect, is a native of Missouri, Arkansas, Northern Texas, or Southern Illinois. The first emigrants that came over the plains were from Pike County, Missouri; but as the phrase, 'a Pike County man,' was altogether too long for this short life of ours, it was soon abbreviated into 'a Pike.'
Climate change has always been sort of my main focus. I think also with [what happened in Fukushima, Japan] there's still a lot to think about in terms of what's coming down the pike into the world's oceans, too.
Some people are a little bit afraid about the future because they see all these gadgets and gizmos coming down the pike and they think they're too old to learn all this new stuff. But eventually they begin to realize, 'Hey, some of this stuff is useful.'
I feel like, genre-wise, the walls are coming down in Nashville. There are so many writers who have moved to town from all walks of life. There's this immense respect for country, but there are pop songwriters, R&B. Nashville has become sort of this go-to writing city for every genre.
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
It's nice coming to Nashville, and we have four-bedroom house and a dog, and we go swimming a lot. We get down here and spread out a lot, and I miss my sweet tea and my cornbread and my good southern cooking - but I'm down here eating pretty for two weeks and I'm ready to go back to New York City.
Advent: the time to listen for footsteps - you can't hear footsteps when you're running yourself.
I worked in Syria on the front lines, and you hear the plane, you hear the shell is dropping, you realize it's not on you - 'Good' - and then you see the patients coming in and take care of them. And then you have down time. With Ebola, it seems there's no down time. It seems you're always at the front line; you're always exposed.
... coming to a place like Nashville, which is just music music music, it's always been such an influence on me. And there are so many interesting songwriters out there, and it's such a crazy business and so many people are trying to do it, and it's all right there in Nashville.
I think every once in a while country has lost its way, but found its way back. It's always going to drift away from the traditional side, but then find a way to return. There's room for all kinds of influences be it pop, blues, gospel or whatever. But I will always say that I think we need more traditional country music coming down the pike.
I've always wanted to be the biggest real estate man to come down the pike.
I never sit down to write or say, "Today, I have to record something." I wait to hear it and then I go for it.
I don't know if I ever feel totally great about a record when I put it out. With every record that I put out, someone has literally got to come pry it from me because when I listen to my own music, I just hear flaws in it.
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