A Quote by Tom Thibodeau

As you prepare for the draft, the first thing you do is evaluate the players you think will be coming out. Then you explore the possibility of either moving up or moving back.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
Once you've grown up in space, moving on means moving out, not going back to Earth. Nobody wants to be a groundpounder.
Real movement in the Kerry campaign now. His poll numbers are moving, donations are moving, endorsements are moving. The only thing not moving is his hair.
Find out what schismogenesis means. Schismogenesis is anthropology. It says relationships between people are not stable. They are either moving up or moving down. The same is true for brands. You need to understand where you are.
One day mom sat down and says, 'I'm moving my children to Queens. There was this quiet in the room and then everyone burst out laughing. Moving to Queens for us was like moving to Mars. It was like breaking out of poverty, the ultimate in luxury.
I've changed my whole angle for dance. I'm moving towards moving back rather than hanging out with my peers. I'm reaching back to older dudes for a second.
I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.
Moving forward is not always good, especially when there is a precipice ahead! Know to turn back! Know to step back! Sometimes moving backwards is moving forward!
Forty freaked me out. I didn't see it coming. My life was in a state of chaos - I was moving jobs and moving house - and it just hit me like a ton of bricks.
In a first draft, I concentrate on moving forward and trying not to panic.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
I've gotten so into the thing of moving, moving, moving, but I'm desperate to have a home. I just want my own little spot - I'm saving, but it's difficult because of the shopping... I'm actually addicted to online shopping - it's something about the packages arriving!
One of my earliest memories of something that caught my attention was of a steam locomotive. I guess mainly because they have so many moving parts that are out in the open. You can watch the valves moving back and forth - the driving rods.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
You have risen with all power in Your hands. You have given me a second chance. Hallelujah, hallelujah, yeah, yeah, yeah. I’m not going back, I’m moving ahead. Here to declare to You my past is over in You. All things are made new, surrendered my life to Christ. I’m moving, moving forward.
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