A Quote by Tom Verlaine
The whole reputation of being a rock guitar player, I could really care less about it. Still, when I hear new groups today I do occasionally hear something where I think... ahh, I've heard that lick before.
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Noam Chomsky is, in some ways, a victim of this new millennium we live in because you can't pull a sound bite from that guy and understand what he is talking about. You have to hear the whole paragraph. You have to hear the whole page. You've got to hear the whole conversation if you really want to understand it and that could change your life.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
You hear it in the great musicians, whether it's a drummer or a horn player or a guitar player - you hear them take those breaths. You can feel that there's something they're trying to tell you.
Apologies; our cultural obsession with them isn't about actually being offended, or simply needing to hear, “I'm sorry.” It's not really about right or wrong. It's about wanting to throw a rock in the dark and hear something break.
I have to care and I have to be honest and have the courage to be vulnerable. If that happens, then that's the best I can do. To just be a puppet for the audience is not very courageous. Just to do whatever they say they want - because a lot of times people will hear something new that they hadn't heard before and get turned on by a new experience and will want to hear more of that.
I don't think there's any music that you hear on the radio today that would be possible without Jimi Hendrix. Rock, blues-rock, heavy metal, any guitar stuff when you get right down to it - Jimi did it. He's certainly the guy who basically invented the blues-rock genre for guitar players.
Theres something incredible about putting a helmet on just before a game; its a feeling only a football player knows. Your vision narrows, and the whole world shrinks. You cant hear much of what goes on outside you, but you can hear yourself breathe and you can feel yourself sweat.
At night in the country, you'd be surprised how that music carries. You could hear my guitar way before you get to the house, and you could hear the peoples hollerin' and screamin'.
I could care less about sitting around and practicing the guitar for hours a day and trying to be the best guitar player on the planet.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.
Flowers speak to us if we listen. Appreciating the blossom in hand or pausing in the garden to admire the beauty quiets our outer selves till we hear something new, something we did not hear before - the still, small voice of Nature herself.
One thing I always really enjoyed about Quincy Jones' production technique was that there were so many layers to every song. Like, one week you'd hear a new trumpet-line, then the next week you'd hear - be hearing a new guitar-line.
I understand why some bands don't like test new songs, but for us it's been very helpful and it hasn't really backfired. I was nervous that our second record was - you know, you could hear the whole thing on YouTube before the album came out because we played it all live, but it ended up being something that people appreciated.
When it came time to hire a guitar player ... I didn't even have to think about it ... Mike Bloomfield was the best guitar player I'd ever heard.
If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."
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