I always liked really heavy guitar music, but didn't like the long-winded songs that went with it. And I always liked pop songs, but was driven nuts because the guitars were so wimpy sounding. So I decided to put the two together. That's how the Muffs started.
If you have a great-sounding guitar that's a quality instrument and a good amp, and you know how to make the guitar talk, that's the key. It starts with the guitar and knowing what it should sound and feel like.
I just liked music, and I really liked rock guitar. I didn't think I was going to be a rock guitar player, because I was a girl. I would've been too shy to play with guys.
I started playing guitar when I was eight. Well, I started piano and really liked it but never practiced, but it taught me how to read music, and then my mom signed me up for guitar lessons, and I connected to that way more.
I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.
I always liked the idea of the guitar - because cowboys played the guitar.
It became a bit of a challenge to make an album that is essentially quite alternative sounding, and has a lot of sounds that could be guitar - for instance on "Overjoyed," there's what sounds like guitar but is actually a lot of keys.
My setup for a live performance lately has been just guitar and synthesizer. Sometimes I only bring one. The guitar is in pretty bad shape and isn't sounding the same. Most of the time my live approach has been pretty different from recording.
My father never liked me or my sister, and he never liked our mother either, after an initial infatuation, and in fact, he never liked anyone at all after an hour or two, no, no one except a stooge.
The minute I think I'm getting mellow, I'm retiring. Who ever heard of a mellow winner?
I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.
I don't respond well to mellow, you know what I mean, I have a tendency to... if I get too mellow, I ripen and then rot.
I started playing heavy-metal guitar because that's what I liked. And then I got into classical guitar because it was so technically complicated.
I'm a mellow guy, and I feel like my music is mellow.
I suppose when I started playing guitar, it was the means to an end. I never thought of myself as a fully fledged guitar instrumentalist. And my early excursions on the electric guitar were curtailed when Eric Clapton came on the scene, and I decided I was never going to be in the same arena as a Clapton or a Peter Green.
I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.