A Quote by Tom Vilsack

One out of every 12 jobs in the economy is connected in some way, shape or form to what happens on the farm. — © Tom Vilsack
One out of every 12 jobs in the economy is connected in some way, shape or form to what happens on the farm.
I'm not connected to the Trump campaign in any way, shape, or form.
The most insistent and formidable concern of agriculture, wherever it is taken seriously, is the distinct individuality of every farm, every field on every farm, every farm family, and every creature on every farm.
Each one is different. Each project is different. Some are silly, some are not. Some are more realistic, some are not. Some are overly dramatic, some are not. You've just got to try and find the thing that's most engaging and entertaining in whatever way, shape or form, and it's different every time.
I was working on the farm to get in shape, about a mile away from my parents. You know, I did everything as a kid to stay in shape - jogging, work on the farm, driving the tractor. I'll never forget.
I've lost count of the number of websites that try to 'out' every Muslim in public life as an extremist or Islamist of some shape or form.
Everyone is broken; every mortal man or woman is broken in some way, shape, or form.
I definitely have friends who - they've gone to multiple jobs, they've had trouble finding jobs, some have gone back to school - it's a very transitional period in anyone's life. I think definitely people have, even like my girlfriend for example, she works her job - and just the fact that she has a job - she just feels super lucky in this economy. But it can really shape, I think, the way you view the world.
Green jobs - those are jobs that feel like new economy jobs; they do require some training.
I don't know where the shape of a poem comes from. I certainly don't impose it. I write out of a jumble of emotions and vague notions and scraps of knowledge. At some stage a form or, rather, a shape mysteriously emerges.
It probably wouldn't be good for our economy for a bunch of these jobs to come back because, there's no way that people could be getting paid a living wage on some of these jobs - at least in order to be competitive in an international setting.
Even when America's economy has been by all measures healthy and the unemployment rate low, some businesses suffer or fail and lay off workers. But nearly always, a simultaneous and even greater burst of new jobs has been created to offset the jobs lost - millions of new jobs every year.
I think it happens with every career when you've been around 10 or 12 years. You start to get on cruise control a little bit, then you freak out and go, 'Oh my gosh, we've got to change some things up.'
I've been writing in some way, shape, or form for as long as I can remember.
Nine out of nine architects start with a sketch, and then they say, 'What should we make it out of?' I start from the bottom up - what should it be made out of - and then I worry about what should it look like. The material, the color of the material, the way it feels, and the way you respond to it is every bit as valid as the form or the shape.
As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies.
There are some individuals who look at graphic novels as 'canon,' and they cannot change in any way, shape or form, and that's what makes them in some ways good fans.
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