A Quote by Tom Waits

I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox. — © Tom Waits
I knelt at the altar of Ray Charles for years. I worked at a restaurant, and that's all there was on the jukebox.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
I think Ray Charles did as much as anybody when he did his country music album. Ray Charles broke down borders and showed the similarities between country music and R&B.
I would've given my right arm to do something on the 'Ray' film, the movie about Ray Charles.
I met Ray Charles at 14, and he was 16. But he was like a hundred years older than me.
I love Ray Charles. He can still teach everybody a lot about how to make great music. Not necessarily how to make hits, but how to make great music. Of course, part of it is his incredible talent. Who are the greatest jazz singers in the world? Louis Armstrong, Billie Holiday and Ray Charles.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
When I'm just tryna funk, it's gonna be the Staple Singers, man - Pop Staples. And Ray Charles. Ray could take 'Eleanor Rigby' and make that funky.
I won't hire someone or date a girl who has not worked in a restaurant, and that's the honest truth. I don't think you know how it is until you've worked in a restaurant.
I was born and raised during Depression Years when we were on County relief and we all went out and we hustled. we worked. I worked in a restaurant, I washed dishes.
One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.'
I don't like that word 'discovery.' ... Sinatra was the first one to call Ray Charles a genius, he spoke of 'the genius of Ray Charles.' And after that everybody called him a genius. They didn't call him a genius before that though. He was a genius but they didn't call him that. ... If a white man hadn't told them, they wouldn't've seen it. ... Like, you know, they say Columbus discovered America, he didn't discover America.
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