A Quote by Tom Waits
I didn't really want to be part of a clique or a niche. But I also was looking for my own voice, as a writer, y'know? And a world I could call my own.
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I still feel like I have a lot of growing up to do 'til I find the voice. You know, everybody has their own voice and their own thing they want to say to the world.
We cannot live in a world that is not our own, in a world that is interpreted for us by others. An interpreted world is not a home. Part of the terror is to take back our own listening, to use our own voice, to see our own light.
I still feel like I have a lot of growing up to do 'til I find the voice. Everybody has their own voice and their own thing they want to say to the world.
Call it stubborn, call it ignorant, call it what you want, but I don't think I have to join a particular faith or culture or creed or religion just to fit in, since I was part of the clique since it's inception.
For books I want to keep reading, it's definitely the voice. It must be a voice I've never heard before, and it must have its own particular intelligence. By 'voice,' I don't mean vernacular. It has to have its own particular history and world that it inhabits.
I want a part where I can use my own hair, my own voice, and maybe even be literate.
I was always the new kid, and I got to know the language and the politics of being on the outside, looking in. Never being in the clique - always being a student of the clique, a subversive, and I could look around and identify the other guys who were excluded.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
A movie is a mass consumption product. I have got no delusions about being niche. I don't want to be niche. Though in the earlier part of my career I was into niche cinema, doing independent films - and I do have a revolutionary bent of mind - but you cannot make a change from outside; you have to be a part of it.
If people are given the opportunity to really make a difference in their own lives, their own communities, their own businesses and their own governments, then we can really transform the prospects of life on this planet. We can find ourselves living in a world that is more like the world that I think most of us want to be living in.
You know what needs to be done when you're a writer. You know what the job is, particularly if you're an African American writer, or if you deal with people, or if your subjects are poor people or people who need voice. So you don't really need to know whether or not you are doing the right thing. What you have to be wary of if you're doing the right thing to the right level that will surpass your own life. I'm hoping that my work will surpass my own life.
In music you can find your own niche. You can do what you want to do. There is really no job description. You have to find your own way, and that's fun.
I entered the literary world, really, from outside. My entire background has been in sciences; I was a biology major in college, then went to medical school. I've never had any formal training in writing. So what I know about writing, I know from my own instincts, and whatever the narrative voice is in my own head.
I was also very lucky to be able to work with talented people while I was learning. I didn't actually go to fashion school. I worked with Riccardo Tisci at Givenchy which was a really pivotal experience for me. He taught me a lot about being faithful to your own voice and to really believe in your own voice and that's made a big difference.
Lightfoot's voice is such a part of the fabric of Canada, I know it almost as well as I know my own voice.
Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer.
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