A Quote by Tom Waits
I have a Chamberlain I bought from some surfers in Westwood many years ago. It's an early analog synthesizer; it operates on tape loops. It has 60 voices - everything from galloping horses to owls to rain to every instrument in the orchestra.
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I don't have any computers in my studio, it's all analog tape. All analog tape, all old equipment, I mean my mics are like from the 60's and early 70's, everything in there is old.
I like to work with a combination of analog and Pro Tools. I love the sound of analog tape, but there's so many things you can do with Pro Tools that would be incredibly difficult and very time-consuming with analog.
I realized horses have personality when I bought one and I had one, who's now out to pasture, a horse named Drifter. Before that, I was a city boy. Horses, I used to go out to the LaBagh Woods and ride at a stable once every two years or something; no idea about horses. Dogs, I knew, had personalities, but not horses.
We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog 'I' that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.
I think the last couple of years of life for many, many people are the same as they were 50, 60, 70 years ago. They could be really tough because of infirmity.
20-some years ago, I'd have a big old radio with a tape deck, and I'd hit record and try to get something down on the tape, but nowadays, I can use my handy little smart-phone; I sing into the app for voice memo.
Nick swore he'd die with this boots on, on some exotic safari, but he found his Kilimanjaro in a hospital on Earth, where they'd cured everything that was bothering him, except for the galloping pneumonia he'd picked up in the hospital. That had been, roughly, two hundred and fifty years ago. I'd been a pallbearer.
No one has any faith in the tape anymore - everyone just relies on computers and considers the hardrive to be the safest option, and I don't. I think an analog tape is something you can hold.
I've been going to Granada for many years and 12 years ago bought a house a few miles outside the city.
A few years ago, they [Neandertals] were thought to be ancestral to anatomically modern humans, but now we know that modern humans appeared at least 100,000 years ago, much before the disappearance of the Neandertals. Moreover, in caves in the Middle East, fossils of modern humans have been found dated 120,000-100,000 years ago, as well as Neandertals dated at 60,000 and 70,000 years ago, followed again by modern humans dated at 40,000 years ago. It is unclear whether the two forms repeatedly replaced one another by migration from other regions, or whether they coexisted in some areas
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
I like large sounds and very complex sonorities, and I also tend to opt for creating a feeling of vast space. I could achieve this effect either by using a symphony orchestra, which for a dance piece is pretty much impossible these days, or by using a synthesizer on multi-channel tape and a superb sound system, to get that same sensation of expansiveness and depth.
Conscious mind is a spatial analog of the world and mental acts are analogs of bodily acts. Consciousness operates only on objectively observable things. Or, to say it another way with echoes of John Locke, there is nothing in consciousness that is not an analog of something that was in behavior first.
Some years ago one oil company bought a fertilizer company, and every other major oil company practically ran out and bought a fertilizer company. And there was no more damned reason for all these oil companies to buy fertilizer companies, but they didn't know exactly what to do, and if Exxon was doing it, it was good enough for Mobil and vice versa.
When I started playing solo 10 years ago, I had some ham-fisted idea about trying to subvert the "singer-songwriter" tag/genre, and I tried to obscure my identity into the identity of a collective or band or whatever. That's part of the reason that I used to play with backing tapes and why so much of my early stuff was so awash in tape hiss and echo noise.
So, I bought a new CD and I was trying to get it open but couldn't with all the layers... I mean plastic and then tape, and the tape is like government tape. It says 'open here.' Is that sarcasm?
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