A Quote by Tom Walker
It's funny going to America because you're starting again. You've just won a Brit Award, but nobody will care. You have to prove yourself, but it's good to do that stuff. You might be big in Britain, but you still have to work at it everywhere else.
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What nobody tells people who are beginners… is that all of us who do
creative work, we get into it because we have good taste. But there is this gap.
For the first couple years you make stuff, and it’s just not that good. It’s
trying to be good, it has potential, but it’s not… your taste is why your work
disappoints you… We know our work doesn’t have this special thing that we want
it to have. We all go through this… It is only by going through a volume of work
that you will close that gap, and your work will be as good as your
ambitions.
I care about me now. When I didn't care about me, I was, like, 'Why is this going wrong? Why is my life so bad?' But when you don't care about yourself, nobody else is going to care about you. So I learned to love myself, even if nobody else does.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
It's not that hard to be good, you can be good off raw talent. But I feel like it's that extra step, doing work and putting a body of work in and doing things when nobody else is watching. When nobody else is telling you to do it, you're pushing yourself to do it.
nobody can save you but yourself. you will be put again and again into nearly impossible situations. they will attempt again and again through subterfuge, guise and force to make you submit, quit and/or die quietly inside. nobody can save you but yourself
We're living in an economy where productivity is no longer the goal, employment is. That's because, on a very fundamental level, we have pretty much everything we need. America is productive enough that it could probably shelter, feed, educate, and even provide health care for its entire population with just a fraction of us actually working ... Our problem is not that we don't have enough stuff-it's that we don't have enough ways for people to work and prove that they deserve this stuff.
The thing I try to tell people who are just starting in the business is to listen to yourself, trust yourself, and be kind to yourself. And do the work to cultivate who you are and what your point of view is. Don't try to be like anybody else. That's what will make you an interesting artist.
People are going to go out and do things after games and celebrate and do that kind of stuff. Everybody cannot be everywhere, and nobody can prevent crazy things from happening. Stuff is going to happen, and you've just got to deal with it.
I don't care if you're talking about gay, straight, black, white, how in the name of hell can you guarantee that nobody will ever feel unwelcome? I have felt it unwelcome everywhere I've been in life. Everybody else has, too. I mean, not everywhere, but it happens.
Brit: What's your major? Alex: Chemistry. And yours? Brit: Chemistry. Kiss me so we can see if we still have it. 'Cause you own my heart, my soul, and everything else in between.
'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
Whenever something in the system changes, you have to prove yourself again. But wherever you go, you have to prove that you're better than whoever else is on the team. At a team like Arsenal, that's always going to be hard so I always have to be on it in training and matches.
It's funny, I don't even consider myself a rapper, I don't consider myself a designer, or even an actor. I just like creating stuff and trying to make good work, whatever it is. I don't care if it's designing toothbrushes. It's just making cool stuff to leave behind, that's all it is, it's nothing more.
We have this attitude in America of, 'Someone else is going to fix the problem.' That's what the majority of Americans have. Or, 'I'm just going to go online and sign this petition, and that will take care of it.' That's doesn't do it.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
A good job is largely anonymous and forgotten (but still important). A personal job, on the other hand, is humanized. It brings us closer together. It might not be remarkable, but it stands out as memorable because (however briefly) the recipient of the work was touched by someone else. Often, remarkable work is personal too, but personal might just be enough for today.
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