A Quote by Tom Walker

Each song is a little snippet of my life - and I got to work with Rudimental! — © Tom Walker
Each song is a little snippet of my life - and I got to work with Rudimental!
To tell you the truth, I used an Instagram filter called Ginza to share a snippet of the song - I simply left the name in the caption in case anyone wanted to use the same filter. But everyone started calling the song 'Ginza.'
Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process.
Rudimental snare work is something I've always loved.
Each song is a child I nourish and give my love to. But even if you have never written a song, your life is a song. How can it not be?
I always think of each night as a song. Or each moment as a song. But now I'm seeing we don't live in a single song. We move from song to song, from lyric to lyric, from chord to chord. There is no ending here. It's an infinite playlist.
Like anything important, anything you need people to hear - you've got to have music for it. You've got to make it at least a little piece of a song or sometimes a whole song.
A friend of mine, Thomas Jules, who was the lead singer of Rudimental, is an amazing DJ, so I've got him to come down and give me some tips.
'Life, Love & Hope' is... I'm thinking 'larger picture.' I'm not trying to preach to anyone. We all get lost and caught up in our everyday problems. Your cellphone doesn't work or you got a parking ticket, you had a bad day at work. You can lose sight of the really important things in life; that's what the song is about.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
When you've got an extra gear in your head where that's all you do, you've constantly got a little radar up. ... And when something hits that strikes that beeper, hits that radar, it's like my song skills kick right in and go, 'Oh, OK, there's a song in that.' And then I start trying to figure it out.
I create little challenges for myself, like, 'Okay, whatever you do in this song, you've got to somehow work in Greek Cypriots,' or something like that.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
In fact I wonder if I should bend my own rules a little and for the sake of writing a good song it doesn't have to been so autobiographical, but that's a stupid rule to live by as some of my favourite artists' songs, they have a song that you think is about their life [which] probably even isn't, but it's a great song.
Honestly, I get character ideas from the most inane places. Sometimes a song will give me an idea. Sometimes I will just hear a snippet of conversation that ends up having nothing to do with the book that emerges.
In order to play this game, at one point in your life you've got to be a little mentally deranged. And every once in a while, you've got to call upon that sickness and make it work for you.
I don't ever want to tie a song in a little bow. Life doesn't work that way, and war doesn't ever work that way.
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