A Quote by Tom Walker

I'm not trying to appeal to anybody. I just try to do my thing and make the best music I can make. — © Tom Walker
I'm not trying to appeal to anybody. I just try to do my thing and make the best music I can make.
I try to make music with emotion and integrity. And authenticity. You can feel when something's authentic, and you can feel when it's not: you know when someone's trying to make the club record, or trying to make the girl record, or trying to make the thug record. It's none of that. It's just my emotions.
I don't know much about the music business, but for just general advice for someone trying to create things, as simple as this sounds, I think the best thing you can do is constantly try to improve upon your work. Always focus on that first and foremost, and leave everything else (marketing, image) completely secondary. Obviously, easier said than done when you're trying to make a living, but if you can move along those lines and earnestly try to make things that you really enjoy it can only benefit you in the long run.
I'm not trying to become a pop artist, and I'm not trying to make sure I stay a country artist. I'm just trying to make sure I make the best music I can, according to my way.
I try to take a snapshot of who I am now, who I am becoming, as opposed to who I was when I was first starting to make records. I'm not trying to make boring adult music, but I try to make music more reflective of what matters to me now.
We're past the self-doubt. We just have fun with it and just try to make the best music that we can make.
I've tried to make it a thing where they, somebody in WWE, needs me or wants me there. And if I do my job well, it becomes a thing, and I just try to make it a reality, I guess. And I'm just trying not to get released.
I'm just trying to make the best music I can possibly make and represent the new class or whatever. Myself and Cudi and Asher and B.o.B. That's all I can do at this point.
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
I'm not even going to lie - when I'm in the studio, I'm not like, 'Alright, let me make a hit.' I just try to make good music to the best of my ability.
You can't really just think, "Oh, I want to make something that is going to appeal to every single person in the world." You have to just try to make a movie that comes from your heart.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.
There's really no difference between what I do and what a male filmmaker might do. I mean we all try to make our days, we all try to give the best performances we can, we try to make our budget, we try to make the best movie we possibly can.
When I sit down to make music, I try to enter a flow; I always open a blank session and just make something that I feel like making. Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.
My goal every time I make a record is just to make the funkiest, the best music I could possibly make, both lyrically, and music-wise.
You always hope for the best when you put something out and try to make the best music you can make, but you can't control what happens after that.
This site uses cookies to ensure you get the best experience. More info...
Got it!