A Quote by Tom Wolfe

The newspaper is, in fact, very bad for one's prose style. That's why I gravitated towards feature stories where you get a little more leeway in the writing style. — © Tom Wolfe
The newspaper is, in fact, very bad for one's prose style. That's why I gravitated towards feature stories where you get a little more leeway in the writing style.
A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific.
At the beginning of writing fiction, too much of the newspaper style was getting into the prose, so I thought, 'Gee, I should try writing longhand. Maybe I can tap something that goes back to the point before I could type.'
I don't care about truth; I care about art and style and writing and occupying the wall. For me, my writing style is very linked to the fact that it is a work of art on the wall. I had to find a way to write in concise, effective phrases that people standing or walking into a room could read.
Style is just an impression. Style itself is hollow. Style, its ok style as long as it is part of a language. Style for style itself is just something very hollow.
I love the silhouettes of the '50s that were feminine and womanly without being too revealing. I've always gravitated towards that kind of sense of style and fashion.
If you can change style, why stick to one style? Style is a vanity because it gives you product identification.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
All literary style, especially national style, is made up of such coincidences, which are a spiritual sort of puns. That is why style is untranslatable.
I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.
I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style.
Lagos style is fresh and different. Even with the tailors, they get very innovative with their stuff, with the cuts. When my parents used to make the traditional wares, it was a little bit baggy. But now the tailors are able to infuse the European style, making it slim-fit. Lagos style is different, man. Innovative.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
The older I get, the more I seek to use a plain prose style, concentrating more on story.
My jiu-jitsu style is not a beautiful style. I have very simple submissions. It works, but it's not like Demian Maia or Nick Diaz's very exciting style.
I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
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