A Quote by Tom Wolfe

Frankly, these days, without a theory to go with it, I can't see a painting. — © Tom Wolfe
Frankly, these days, without a theory to go with it, I can't see a painting.
You have bits of canvas that are unpainted and you have these thick stretcher bars. So you see that a painting is an object; that it's not a window into something - you're not looking at a landscape, you're not looking at a portrait, but you're looking at a painting. It's basically: A painting is a painting is a painting. And it's what Frank Stella said famously: What you see is what you see.
If the theory accurately predicts what they [scientists] see, it confirms that it's a good theory. If they see something that the theory didn't lead them to believe, that's what Thomas Kuhn calls an anomaly. The anomaly requires a revised theory - and you just keep going through the cycle, making a better theory.
Before going back to college, i knew i didn't want to be an intellectual, spending my life in books and libraries without knowing what the hell is going on in the streets. Theory without practice is just as incomplete as practice without theory. The two have to go together.
I think it laughable, frankly, that the physics community comes up with a theory for everything. There isn't one theory for everything. There is not one explanation. We may eventually have several theories that can tie things together nicely but there is not a single theory of everything.
Experience by itself teaches nothing... Without theory, experience has no meaning. Without theory, one has no questions to ask. Hence, without theory, there is no learning.
In the evening I go up in the desert and spend hours watching the sun go down, just enjoying it, and every day I go out and watch it again. I draw some and there is a little painting and so the days go by.
You can go a month without food, you can live three days without water, but you can't go more then sixty seconds without HOPE.
If you go to school and practice for five days a week, it still gives you two days you can go and see your friends, you can go to the movies, you do whatever you like to do.
My house fly theory is related to my theory about why time seems to go faster as you get older." "Why's that?" the girl asked. "It's proportional," Leonard explained. "When you're five, you've only been alive a couple thousand days. But by the time you're fifty, you've lived around twenty thousand days. So a day when you're five seems longer because it's a greater percentage of the whole.
But I think schools also ought to be fair to all views. Because, frankly, Darwinism is not an established scientific fact. It is a theory of evolution, that's why it's called the theory of evolution.
Just the way you might look at a painting and see the painting, and the painting is outside you, so this immaterial intellect would see the forms and behold them, as if they were standing before it. And Plotinus said that that can't be right because it falls prey to sceptical objections.
Painting is an illusion, a piece of magic, so what you see is not what you see. I don't know what a painting is; who knows what sets off even the desire to paint? It might be things, thoughts, a memory, sensations, which have nothing to do directly with painting itself. They can come from anything and anywhere.
I once succumbed to the fad of fasting and went for six days and nights without eating. It wasn't difficult. I was less hungry at the end of the sixth day than I was at the end of the second. Yet I know, as you know, people who would think they had committed a crime if they let their families or employees go for six days without food; but they will let them go for six days, and six weeks, and sometimes sixty years without giving them the hearty appreciation that they crave almost as much as they crave food.
The scientific attitude of mind involves a sweeping away of all other desires in the interests of the desire to know-it involves suppression of hopes and fears, loves and hates, and the whole subjective emotional life, until we become subdued to the material, able to see it frankly, without preconceptions, without bias, without any wish except to see it as it is, and without any belief that what it is must be determined by some relation, positive or negative, to what we should like it to be, or to what we can easily imagine it to be.
I am motivated by the fact that in the next 365 days, 136,000 Californians will die and most of them will go into an eternity without Christ. In the next 365 days, 2.4 million Americans will die; most of them will go into eternity without Christ. In the next 365 days, 74 million people in the world will go into eternity without Christ and without hope. I can't live with that.
I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
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