A Quote by Tom Wopat

As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible. — © Tom Wopat
As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible.
Whenever they sang a certain song in church, I used to sing it the loudest: 'Lead me, guide me, along the way!' One day, as I was singing this song, I felt as if the Lord was saying to me, 'Lead you along what way?' I realized then that if you don't have a plan, God doesn't have anything specific to direct you in.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
That's just the way I end up making meaning from the direct material in my life - I think what makes it accessible is the desire to communicate, more than anything. It does make it accessible, but that's not what motivates me.
In the same way that some magazines have made financial markets accessible to people who don't want that much sophisticated information, we would like to make information about public issues accessible in a way that makes people feel included.
Big train from Memphis, now it's gone gone gone, gone gone gone. Like no one before, he let out a roar, and I just had to tag along.
Well, it's my voice, so it's more accessible that way, and there are also all sorts of things like plot and timelines that are already known entities, so for me, it's very different from writing fiction.
I like to interpret 'Call me a River', as if I'm saying, 'Now you're telling me you love me after all that, and I'm telling you to shove off.' That's my interpretation. But I would never 'say' that because somebody else might interpret the song in another way.
To know that the people who are singing along at your show actually have something in common with you and can identify with what you've gone through, makes the songs that much more meaningful to sing.
In a certain way, I believe 'Trapped' is far more accessible than 'Lootera.' What makes it accessible is that it can happen to anyone. We all have a fear of getting trapped in a certain place or being locked out of our houses.
As I "won," I didn't feel the fruits of that. I felt the fruits when I served others, when I gave myself away. . . . I've always seen my life as an experiment. I just want to go to what works. As I felt the charity aspect in my life, the giving aspect, I felt a power and I've walked more into that.
I know when I sit with my band members and we're playing back a song that we've done, I know that they're experiencing it in a completely different way and hearing stuff that they're alerted to because the way the interpret the world is through their ears. Mine is through my eyes.
I like the iPhone, the iPad, all the various members of that family. But I like all the various technologies that are becoming available to make the world more accessible to people who are blind and with low vision. I also like that more and more people are committing themselves to close captioning so the deaf can really know what's going on. I like the position of making buildings more accessible by having ramps and various ways people who are paraplegic to be able to get around.
I think when you get older, things come along that you know are a test in some way of your ability to stay with it. And when e-mail came along, I was just going to fall in love with it. And I did. I can't believe it now - it's like one of those ex-husbands that you think, 'What was I thinking?'
I know you only get one chance to make a first impression in a city - and I was so disappointed in myself for how that first season in New York had gone. It felt like a blown opportunity. It felt like I'd cemented my reputation in the opposite way that I'd wanted to. Selfish. Not a leader. Not a winning player.
song of elli (old age) "What is plucked will grow again, What is slain lives on, What is stolen will remain What is gone is gone... What is sea-born dies on land, Soft is trod upon. What is given burns the hand - What is gone is gone... Here is there, and high is low; All may be undone. What is true, no two men know - What is gone is gone... Who has choices need not choose. We must, who have none. We can love but what we lose - What is gone is gone.
I feel much more physically connected to my voice, and I like the physicality of the voice, and how the voice can physically occupy a song.
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