A Quote by Tomas Maier

I think every collection is always a move forward. It's the same work - the process is always the same. The interesting thing is to try to achieve a certain nothingness. — © Tomas Maier
I think every collection is always a move forward. It's the same work - the process is always the same. The interesting thing is to try to achieve a certain nothingness.
I love wearing the exact same thing all the time because I think it makes you like a cartoon character. They always wear the same outfit and everybody always remembers them for it, so I feel like I should do the same thing.
I think the thing is you always play with what you have in high school. It was always very fastbreaky-type basketball. And then when I went to Marshall, we did the same thing. We had a weird team. Our center was 6'5' and the forward was about 6'10', but he shot from the outside.
I don't like to do things the same way every time. You always want to be evolving as a composer, and if your creative process is exactly the same each time, then how do you expect today's work to be any different from yesterday's?
Certainly we have made mistakes, but you try and learn from your mistakes. And the most important thing is always to move forward and, I think, empower people to do their best, and to lead. I think people respect that and work better under those circumstances.
I've always dressed the same. I've never made a fashion mistake. I've always worn utilitarian. I started my collection because I wanted certain specific things, but before that it was vintage and classic Brooks Brothers.
I try to always work with the same hair and makeup people, so they're my friends, and that makes the process so much more fun.
Russia on its path has oftentimes discussed and overdiscussed what had happened earlier, instead of moving forward. The result is always the same: It is very difficult to move forward when you're looking backward.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
We got spoiled with 'Friday Night Lights.' Not every show is like that, and on other shows, if you try to bring that same truth or that same approach, the system of television doesn't always allow for that level of collaboration, which is unfortunate because the work would be richer.
It's all the same. It's the same face. We always look for an idea, for the same face, for the same position. There is no such thing as a European or an African photography. It's all the same thing.
I always say fitness is the first step to greatness. And I try to encourage my fans to be on the same page as that. Because fitness is the first step to setting a habit that you necessarily don't want to do but are still committed to doing every single day. And so I think that's why I always, always try to get a workout in.
I always think it's best to pretend you're in a tenuous position. Just as a player, you always want to stay in the now and work hard but also have goals for the future. There's no promises in any entrepreneurial business. You have to really work hard every year and also try to envision where you want to go in the future at the same time.
I always try to think positive and move forward.
In the same way, I can wake up with a very positive idea of what I want to do for my collection, and be completely desperate at night regarding the same thing. And I do a lot of other things too: Writing for me is almost as important as drawing my collection.
A relationship can only work if you work at it. Marriage is the most difficult thing you will do - you've got to really love each other to enjoy the same jokes, the same odours, the same behaviours every day.
Almost every collection I do has 200 different references. I don't have two of the same coat, two of the same dress. I have it in one color, in one fabric. I've tried to adapt the culture of couture, and the know-how and the heritage, but I try to update it.
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