A Quote by Tomas Maier

Nothing is impossible. Whatever idea comes up, we always try to make it. Sometimes it doesn't work because it's just not technically achievable. But you can always make things better, more contemporary with the construction, the inside, the weight, and all of that.
Not harder than it should be, no. We're about the business, we're about the work. It's all about the work, always. We have fun and laugh and there're days that are more intense than others, but we're there to make it better. He's always going to try and make it better, I'm always going to try and make it better. So you accept anything, you accept whatever it takes to get it up on the screen and make it worthy.
I think there's more stressful periods than others when you're launching new things or going into a new business, or there are many things that can stress you out. Having to let people go, that's stressful. Never fun. But for the most part, I try to manage a schedule that's achievable and try not to make a schedule that's not. And a lot of times, sometimes it becomes a little unmanageable, but in spurts. So I think being able to make an achievable schedule, one that I know I can accomplish.
Every movie that I do, I always try and better myself in the next one and try and find a part which is more challenging. It's a little vulnerable to do that, to always push the envelope. You position yourself for a lot more flack or a lot more critique because you're trying to do something different. Sometimes you're good at it and sometimes you're not, but it's a chance you have to take to make life exciting.
Making music videos, I try to bring musicians into the logistics of filmmaking, and I try to preserve whatever's of value and achievable in their idea. If it's something I can't achieve, I tell them straight. You want to make sure that the artist really loves the idea and is committed to it, otherwise they're not going to feel great when they're up there miming it.
I don't try to lose weight. I don't try to do nothing. I just try to put in my work, feel better, the things that I can do in the field to be better are better, so that's what I do.
Many people make fun of me because I'm always so dressed up, but they don't understand that there's a little girl inside me who always wanted to be that dressed up but never got to do that because I was always a certain weight.
What happens in the studio is technically the same thing that happens on the stage. In the past I had to make quite brutal adaptations of the material to make it work on stage. I don't always like doing that because sometimes you're shaving away the things that you actually quite like about them, the spontaneity of it.
When I wake up, I expect things to be good. If they're not, then I try to set about trying to make them as good as I can 'cause I know I'm gonna have to live that day anyway. So why not try to make the most of it if you can? Some days, they pan out a little better than others, but you still gotta always just try.
People always think that when they grew up it was better. The people who went to Studio 54 say, "Oh, this is nothing!" or "The Limelight is nothing. In our day it was much better." But I mean, it's always great. It's always fresh to the kids. And to me, you've just got to make it happen. You can't be a downer and say, "This is nothing like the roaring 20s."
Part of the process is always, 'Is there a better way?' We try to think through if there's something we can do better creatively or technically, or just is more efficient.
I think, the more of a student I am, the better it will be for my work because it means once you have too many accolades you don't try harder. I would never allow myself to think that I don't have to try harder. I like the idea of always learning, always trying to do better. The word "master" sits uneasy on my terms.
As a filmmaker, I always try not to concern myself with the outcome of things. I make the movie, and I do that as honestly and good as I can. I don't want to pollute my thoughts with what is going to happen with it afterwards, because I have to work inside-out.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I always try to make everyone mellow down, make sure everybody's happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
The cars are always changing. The competition's cars are always getting better. Sometimes when you try to make them better, you make them worse.
It's tough because sometimes you'll just be on the web and things pop up or you get emailed something from a friend. It is definitely impossible to avoid stuff about me sometimes, but it's pretty important to try. It's very rare that things are true about yourself that are on the Internet. It's just sad sometimes. So you definitely try and stay away from it as much as possible.
This site uses cookies to ensure you get the best experience. More info...
Got it!