A Quote by Tomi Adeyemi

I didn't say I have to be a writer, but I did say that I needed to publish at least one book. — © Tomi Adeyemi
I didn't say I have to be a writer, but I did say that I needed to publish at least one book.
I think I write and publish as often as I do because I can't bear being without a book to work on... I don't feel I have this to say or that to say or this story to tell, but I know I want to be occupied with the writing process while I'm living.
Freedom means the capability to say yes when yes is needed, to say no when no is needed, and sometimes to keep quiet when nothing is needed - to be silent, not to say anything. When all these dimensions are available, there is freedom.
Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too!
If someone's going to publish a book about addiction, it has to say something new and different. It has to be something we haven't read before. A lot of these books are published because the writing is wonderful. The Frey book has superb writing, and that can be enough to sell a book.
I started composing when I was around 13, and back then, people used to say that I needed to be a composer or a performer, but I can't be good at both of them. I could never understand why anyone would say that. Jellyroll did both, Bessie Smith did both, and so did I.
We left. We did not say: Don't drive, You're drunk. We did not say: We aren't letting you in that car when you are upset. We did not say: We insist on going with you. We did not say: This can wait until tomorrow. Anything-everything-can wait.
I write a book at least three times-once to understand it, the second time to improve the prose, and a third to compel it to say what it still must say.
When people say, Did you always want to be a writer?, I have to say no! I always WAS a writer.
writers of novels are so busy being solitary that they haven't time to meet one another. But then, a writer learns nothing from a writer, conversationally. If a writer has anything witty, profound or quotable to say he doesn't say it. He's no fool. He writes it.
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo.'
Most of the stats say that 90% of people who buy a book or check one out of a library would never get past the first chapter. To me, the title better say everything there is to say about the book.
And at the end of the day, there was an attempt to suppress a book. The book wasn't suppressed. It's freely available in whatever it is, close to 50 languages. There was an attempt to suppress the writer. And I'm happy to say the writer wasn't suppressed.
The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.
I almost once wanted to publish a self help book saying, 'How To Be Happy, by Stephen Fry: Guaranteed Success'. And people buy this huge book and it's all blank pages, and the first page would just say, 'Stop feeling sorry for yourself--and you will be happy.'
When I'm identified as a fiction writer at parties, the question comes pretty quickly. 'Did you go to school for it?' someone asks. 'Yes,' I say. 'Where?' they ask, because I don't usually offer it. 'I went to the Iowa Writers' Workshop,' I say.
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