A Quote by Tomie dePaola

I try to be as clear and simple as I can be in my illustrations so that the child can tell what is going on and what the emotions are. — © Tomie dePaola
I try to be as clear and simple as I can be in my illustrations so that the child can tell what is going on and what the emotions are.
She studied my face for a long minute. "Are you going to help my mom?" It was a simple question. But how do you tell a child that things just aren't that simple, that some questions don't have simple answers--or any answer at all?
O God... make me a child again, even before I die; give me back the simple faith, the clear vision of the child that holds its father's hand.
I try to always be in touch with my emotions so that I'm mentally clear.
In preparing the present volume, it has been the aim of the author to do full justice to the ample material at his command, and, where possible, to make the illustrations tell the main story to anatomists. The text of such a memoir may soon lose its interest, and belong to the past, but good figures are of permanent value. [Justifying elaborate illustrations in his monographs.]
It's really hard because you only have that split-second to determine what to do. It's crazy. I try my best to use clear judgment and make clear decisions, but a lot of those collisions are unavoidable. You're either going to let them catch it and take a step to see what's going on, or there's going to be a collision.
People hate what they don't understand and try to destroy it. Only try to keep yourself clear and don't allow that destructive force to spoil something that to you is simple, natural, and beautiful.
There are so many emotions that you're feeling, you can get stifled by them if you're feeling them all at once. What I try to do is take one moment - one simple, simple feeling - and expand it into three-and-a-half minutes.
If you are going to tell a story about a child going missing, it's going to have similarities with a real life child going missing.
I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful.
The problem is that too many adults think their kids' lives are simple, or they try to make their lives simple, when their emotional lives are just as complicated as ours. They might have a few less tools to deal with it because they're young, but the emotions are all the same, and the subject matter is all the same.
Short, sweet, and to the point. Clear writing, and therefore clear commands, comes from clear thinking. Think simple.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.
My mother said I was always an intense child, a very sensitive child. So that probably helped the emotions to be very present. I was just a big thinker. I would evaluate and analyze and feel and cry and discuss and be angry. All of those emotions were very surface for me.
I remember, as a child, the confusion of not knowing what this place was where I was supposed to spend the night: it's a disquieting experience for a child. And what I would do was quickly unpack my books and go back to a book I knew well and make sure the same text and the same illustrations were there.
I'm not going to change and get the emotions out of my game. It's important to have emotions in sport. If you don't have emotions, it's like you don't really care. Because if you care about something, you're always going to be emotional. Doesn't matter if it's sports or personal life.
There's going to be highs and there's going to be lows, try to keep your emotions out of it a little bit.
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