A Quote by Tommaso Ciampa

For me, Tommy Dreamer is ECW. There are other guys who did stuff there and other guys who made their careers there and made a name there, but Tommy Dreamer is ECW. — © Tommaso Ciampa
For me, Tommy Dreamer is ECW. There are other guys who did stuff there and other guys who made their careers there and made a name there, but Tommy Dreamer is ECW.
For those of you who weren't a part of the era of ECW, understand, you're looking at the guy that made ECW what ECW was. So, simply put, I'm as close to royalty in this sport as it comes.
I was discovered by Tommy Dreamer.
I'm so confusing to wrestling promoters, and I'm used to that, but because I stayed in ECW and learned how to express myself the way, ah, that I could connect with my fans, it made my strong Rob Van Dam character uncompromising... and I owe that to ECW.
Shane Douglas's work in the first 11 months as The Franchise of ECW was so groundbreaking. He made people forget about his on-air persona in WCW and successfully reinvented himself as The Franchise in ECW.
In the overall scheme of things, Tommy Dreamer and The Franchise are opposite characters.
There is a considerable amount of content to what made Tommy End Tommy End and what makes Aleister Black Aleister Black, but there are a lot of similarities. I sometimes feel like Tommy End shed his skin and became Aleister Black. I truly feel that in WWE Tommy End could become Aleister Black.
I had Tommy Dreamer, who's amazing to me, from the very first day I met him - he actually was the one to say to me, 'I believe in you, I know that you can do this. Let's see what you can do at TNA.'
What I think ECW presented was a big opportunity for a lot of WWE superstars. Definitely me. It revitalized my entire career when I moved to ECW.
There's Tommy, Tommy Lee the rock star, and Tommy the dad. I'm wearing several hats these days.
O it's Tommy this, and Tommy that, and Tommy 'ow's your soul/But it's thin red line of heroes when the drums begin to roll.
Dreams are stories made by and for the dreamer, and each dreamer has his own folds to open and knots to untie.
I worked for [Canadian Country Music Hall of Fame inductee] Tommy Hunter. It was a wonderful training program at the CBC, because they made sure they never paid you very much, so you had to do a lot of things, and that way you made some money. [A phone rings.] That's my agent right now telling me I've got a 13 cent residual from Tommy Hunter in 1969.
A lot of what made ECW great was the work and we're going to have the best caliber in ring stuff in the world.
ECW fans were original. They were part of the show. They were a big part of the show, and other fans in other towns in other countries would imitate the fans that were on ECW television.
I came into ECW in Philadelphia in 1996 and left in 2001 - a much bigger, worldwide star than I arrived - and I thank ECW for that.
I was at House Of Hardcore for Tommy Dreamer. Good guy, great guy, great eye for talent - that's why he booked me.
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