A Quote by Tommaso Ciampa
I feel like I do my best work when I am put into scenarios where there's some in-depth story to be told.
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I'm the best player in the draft. I truly feel that way. But I feel like you can ask anybody in the draft and they would have said the same thing. I just feel like I showcased it on many levels and I was put through so many different scenarios where I had to make the best out of it. And I had a lot of success with it.
I want you to know who I am: what the streets taste like, feel like, smell like. What the cops talk like, walk like, think like. What crackheads do - I wanted you to smell it, feel it. It was important to me that I told the story that way because I thought that it wouldn't be told if I didn't tell it.
Alec Baldwin made us all feel like [we could] pal around with him and come up with the best scenarios or scenarios if you're a f - king asshole. So working with him was Alec Baldwin does it the best.
I feel like I put it together better than anybody else. I don't feel like I'm the best dancer. I don't feel like I'm the best singer. I don't feel like I'm the best looking. I feel like I'm the best at putting it all together.
Whom do I write for? I write for the story. Each story, it seems to me, knows best how it should be told. As I once put my ear to the railroad track, I listen now for the voice of my story.
I feel like I have been able to rewrite my story to some extent. But I feel like there is a lot of work to be done.
Some sarcasm is best told simply. Some humor is best told big and some is best told small.
I don't have the luxury of not going to work when I don't feel up to it. Most people don't. On those days, I acknowledge I am feeling f-cking crappy, and I'm not at my best, and I still want to or need to keep walking forward. I have to do some of my best work on my worst days. I have to look pretty even when I don't feel pretty. There's a way to hold both things.
I think the key for us is really letting the stories we feel are best told to kind of dictate where we go. When we find a story we really believe is one that should be told, how do we best tell it and you know what do we need to tell that story most effectively? I think to the good, the universe is such that there are a lot of options, there a lot of opportunities. So that's kind of what's guiding us.
I feel very strongly that a film isn't just a story, but the WAY that a story is told. It's why I am such a great fan of Hitchcock because it really is all in the filmmaking.
When I am in the process of conceiving a story, I make sure it can be told with words and pictures. The story has to be creative, original and interesting in both areas. Many stories get rejected because they feel derivative.
I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.
On the independent circuit I've traveled the world, I've won championships, I've won tournaments - I've defeated some of the best out there so I feel like I am one of the best.
I do like working out. I feel my best when I work out, but you know, I'm human. I like to ride my bicycle and lift weights and hike. When I am diligently working out, ideally, I like to work out four days a week. If I can do that, I feel good about myself.
I normally don't need any help to put pressure on myself but there was additional pressure because it was a film she always wanted to shoot and I wanted to tell this story as best as possible. When I told my wife that I'd like to direct it, I had already given it a lot of thought and honestly I felt that I was the best person for the job, plus I was cheap.
I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
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