A Quote by Tommy Chong
There's the exciting part about comedy - if you catch an act just before they go mainstream, that's the best. After they hit the mainstream, everything gets watered down a little bit.
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When Nirvana hit it big, it was overwhelming because we were part of the counterculture. Nirvana didn't go to the mainstream - the mainstream came to Nirvana.
I existed before the mainstream. Why would I join them? I watched the mainstream come up, and now I'm watching it collapse. I don't want to be a part of that.
Mainstream culture is like your mom: It's always a little late to catch on and gets easily confused by technology, but it means well.
Part of the problem is that if anybody has a gut reaction about an issue, they can go online and have it backed up. That said, they can also find support for their ideas in the mainstream media - because when the mainstream media gives a so-called balanced view, it's often misleading.
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
Just about everything put out by Top Shelf and Drawn & Quarterly and Fantagraphics is what I keep up with. And once in a while, I'll read the more mainstream comics - I like Grant Morrison's writing and some of Warren Ellis' stuff, although maybe they're more on the fringe of the mainstream.
It's nice to see how much the mainstream fashion community has been so accepting of it. It's very exciting to see that folks finally want to make plus-size mainstream.
Until part of your paycheck is regularly paid in Bitcoin, I'm not sure how it would really go mainstream. I can imagine places in the world where there are not functioning banking systems or payroll systems, where it could go mainstream first because you're not trying to replace the way people are already doing something.
It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.
What I've become good at is bringing things that aren't necessarily mainstream to the mainstream. What I did see on Twitter was a potential for mass publication; it's a mainstream consumer broadcasting device. It transforms customers and companies. You have to be transparent or you fail.
Virtual reality is inevitably going to become mainstream - it's only a question of how good it needs to be before the mainstream is willing to use it.
Mainstream's never appealed to me, really. I mean, I've become popular over the years in certain areas. But mainstream, you know, I would rather the mainstream come to me.
I've always tried to do things a little bit before they were being done by the mainstream. I challenge myself to do that in stand-up also, to talk about things that I'm not hearing anybody talk about onstage and in the media.
What I'm realizing as I get older is that a movie's mainstream success is just as unpredictable as a movie's cult success. Plenty of movies that are truly odd and deserve cults, don't have cults. It's just as much of a crapshoot to be a cult hit as it is to be a mainstream success. Isn't that weird?
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
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