A Quote by Tommy Chong

Cheech and I used to call ourselves musicians; we never called ourselves comedians. We were musicians that were funny. — © Tommy Chong
Cheech and I used to call ourselves musicians; we never called ourselves comedians. We were musicians that were funny.
We're genuinely happy if some musicians of this younger generation are influenced by our music, as we were ourselves influenced 10 years ago by older musicians.
You saw a lot of guys, especially in the early '90s, whose acts were a pitch for a sitcom. A lot of them were very funny, but there's nothing worse than watching comedians or musicians who are up there and are doing something they're not interested in.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz.
We were just four unknown, aspiring Australian musicians singing happy, uplifting, melodic and inspiring songs, and being true to ourselves.
What you call love does not sound very beautiful. Think of the way we adore the Throne. That adoration makes us the best version of ourselves. We feel encouraged to go further with or instincts, not to change ourselves for love. If I were yours and you were mine, I would want you to be exactly as you are. I would never eclipse you with my desires.
We were very deliberately not playing 12-bar structures, blues structures, which rock musicians turned into such a cliche. We tried to... listen to the rhythms within ourselves and take the normal words we used every day in our normal thoughts, which girls hadn't written about before.
I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.
A lot of musicians talk about how they were into music from the start; they always wanted to be musicians. It wasn't like that for me. I didn't think of it as a job or a career - it was just something that was constant.
Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.
The place that I found where European musicians and American musicians come together is that odd middle world which is called uncertainty.
And fantasy it was, for we were not strong, only aggressive; we were not free, merely licensed; we were not compassionate, we were polite; not good, but well behaved. We courted death in order to call ourselves brave, and hid like thieves from life. We substituted good grammar for intellect; we switched habits to simulate maturity; we rearranged lies and called it truth, seeing in the new pattern of an old idea the Revelation and the Word.
There were so many bands in New Orleans. But most of the musicians had day jobs, you know -- trades. They were bricklayers and carpenters and cigar makers and plasterers. Some had little businesses of their own -- coal and wood and vegetable stores. Some worked on the cotton exchange and some were porters. They had to work at other trades 'cause there were so many musicians, so many bands. It was the most musical town in the country.
And with a few moments like that, with doubt from here and there, and within ourselves we were just striving for excellence. We had somehow understood and felt that all the musicians who would come to the House later on, that all the singers, the big artists, were striving for excellence in their life and we thought a house for them, there’s no limit to the excellence it should have because it should match their strive for perfection
I'm a comedian, and the other comedians are played by comedians, the same way that in 'Once' there are the musicians that hang out together.
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