A Quote by Tommy Dorfman
It was exciting to play a gay person in high school who's really proud of himself and isn't dealing with the sort of typical story line - the coming-out story - but is already out and sort of an advocate in his own way.
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I was in high school and college as hip-hop was really sort of coming into its own as a, you know, creative force, as a sort of cultural voice. And it really spoke to me.
You set up a story and it turns inside out and that is, for me, the most exciting sort of story to write. The viewer thinks it's going to be about something and it does the opposite.
The story line of the Bible is the story line of God taking the initiative in seeking out a people who are His very own.
I've had to try and find a way over the years of writing narratively that doesn't really require you to sit down and work out what the story's about. You're brought into a sort of sequence of images that have that emotional resonance, but it's kind of irrelevant what the actual story is. It's taken me maybe 13 albums or something to work that out.
The autobiographer looks at life through the lens of his or her own life and really uses herself or himself as the jumping-off place to examine the social mores and the economic and political climates. In a way, the autobiography becomes history as well as the story of one person, for it becomes the story of a family or the story of the state or nation.
Getting recognized is sort of weird anyway. I'm 17 now. You get the odd person sort of shouting out "Ron!" or something. And my hair at the moment sort of stands out a bit, can't really avoid it.
Nowadays, if somebody in America is feeling alone and wants to find a coming out story, they just search 'coming out,' and they'll find millions of first-person examples of people telling their story.
When you do these things, you sort of take the journey. The journey is all about how I can interweave the Oscar Wilde story, the story of Salome, the play itself and what it is, what it contains, and my journey as an actor, as a director, as a filmmaker, as a person struggling with whatever I'm struggling with - my own celebrity, my own life. This is semi-autobiographical in terms of my commitment to this kind of thing.
Someone coming out as gay shouldn't be newsworthy; it shouldn't be warranting a magazine cover or anything like that, which I had as my story for coming out.
I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it.
The story of '3 Mics' is the story of a guy who wants to be something and is sort of figuring out how he gets there.
I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.
Not too many people have my story. And this is my story: A guy goes from unknown to a Heisman Trophy finalist. He gets kicked out of school. He absolutely rebounds himself. He becomes a millionaire. He's taking care of his family. And then he's getting injured.
There is a story about a schoolboy who was asked what he thought God was like. He replied that, as far as he could make out, God was 'the sort of person who is always snooping around to see if anyone is enjoying himself and then trying to stop it.'
Yeah, I left Idaho at 17. You know, I graduated high school a year early and just, you know, the typical story, packed up my car and moved out.
In high school I went to the Los Angeles County High School for the Arts. And this is like Fame. It's like that sort of prototypical, dancers in the hallway, theater students, musical students, art geeks. And it was a kindergarten in the truest sense of the world: a children's garden where I was able to sort of really come into myself as an artist, as a person, sexuality issues - like, all of this became something where there was a firming-up and a knowing that went on.
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