A Quote by Tommy Dorfman
To work with a brand like ASOS that reaches such a young audience and to spread the message of GLAAD is exciting.
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Once again, a terrorist used 8chan to spread his message as he knew people would save it and spread it. The board is a receptive audience for domestic terrorists.
Where I'm from, there ain't a lot of other options, you know what I'm saying? Entertainment or football or crime. I don't want to spread the message that all you can do is music or sport. You can be anything. Anything. That's the message I like to spread.
To have an edit with ASOS - I just love ASOS - every piece is wicked, and I love how versatile it is.
Ultimately a life message shouts more clearly and loudly than a brand message. Your image may communicate an outward brand, but your life shouts the real inner message.
And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.
When you're aware, from a young age, of how something plays in public, it makes you a young entrepreneur, whether you like it or not. I call most teenagers 'young entrepreneurs' because from a young age we're aware that our social media is building our brand. And if, when you're 13, you're concerned with building your brand, then "like" disparities matter.
I'd like to continue to spread my message on conservation and make sure my dad's message - his legacy - lives on.
I am honoured to be a part of H&M's designer collaborations. The work with their team is an exciting, fun process. They are very open to pushing boundaries and to set a platform for creativity. This will be a great way for a wider audience to experience elements of the Alexander Wang brand and lifestyle.
Music is a talent given to me by God. A medium and a platform and a way to spread a message of righteousness... a message of love, a message of unity.
Marvel is obviously a giant, global super-brand, so being a part of that is exciting because of the huge built-in audience and the appetite for it.
We always talk about how you have to build a brand from the inside out, not the outside in. Brands are not wrappers. Brands are based on the values of the founders, and then they spread to the people who work for the company, and then that psychological contract is spread to the customer.
I like anything with a live audience. I love sitcom work. I hope it comes back in fashion because I really love it. I love single-camera work, too, but in a different way than that live-audience thing, which is really exciting.
The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.
Brands no longer own their message. They can try to control it, but they do not own it. Today, consumers own the message. What they say about a brand carries more weight than what the brand says about itself.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
We hope to reach the whole world, spread a message that the audience can relate to and that will change their mentalities, so that people can co-exist in peace, in love, with a greater sense of solidarity.
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