A Quote by Tommy Dorfman
I think for me, I just love that trust you have with theater and your ensemble and people you are working with.
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I think I'm better wired for television. I love variety as far as a project. I'm easily bored and the schedule of a television show, it just keeps you going. I love theater and I think doing a sitcom in front of a live audience is the closest you can get to theater, and it's really the best mix of like standup and theater, is really a sitcom. I started as a standup and I still continue to do that as well, so I think I'm just a TV guy and happy for it. I think my movie career is kind of like my social life, I'm picky and not in demand. So it perhaps is working out.
I'm an ensemble guy, I guess - that comes from the theater. If I ever won some kind of award someday, I imagine I'd try to be very gracious, but in the end, I just want to keep working. I don't see why that, if you just put your mind to it and keep sowing the right seeds, you can't keep doing the things you want to do.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
I love the process of working with people and having things going on, all the time, and just trying to trust your instincts.
I think the Democratic Party is firmly in the wilderness right now and doesn't know exactly what to do. We talk about trust. Fundamentally, the American people have lost a lot of trust in both parties, but in particular, my party. Growing trust is a very simple calculation: People want to know what your values are, and they watch your behaviors. If your behaviors align with your values, then they trust you. If you say I'm for the people, but we're just as bought off as the other party, or we say we're for fairness, but we gerrymander just like the other side, people see.
We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.
It was a weird moment in my life and a weird experience [doing a theater]. It made me think, "Gee, I don't know if I ever want to do this again." And I love theater. I love going. I love the experience of theater. But I am not sure it's for me.
I've done a lot of pictures that are ensemble, and I've not always liked the people I was working with, but that doesn't make any difference because you do the job, and often it turns out to be a great ensemble even if you didn't particularly really like anybody.
I think the key as a creator is to just trust your own intuition, and follow your passion and trust that if you make something you love, an audience who loves it will find it.
The National is the leading theater in the U.K. because it's three big theater spaces in one big building. At any moment you're there, you just know that you're working with people that you're going to be seeing for hopefully the rest of your career.
It's about being patient and working hard. People try to put the money before the work. You can't do that. You have to trust in God, trust in your feelings and the love of the music. Everything else will come.
I love being in these ensemble comedy movies. I love working with a bunch of people and coming up with, you know, How can we make this moment funnier?
I think that you are the liar!" I say, my voice quaking. "You tell me you love me, you trust me, you think I'm more perceptive than the average person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it falls apart." I am crying now, but I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things... you must have, because I can't believe your love is really that feeble.
I don't come from an artistic family, so I didn't know what theater was. I was working on Wall Street in the '90s, and I went to see 'Appointment With a High-Wire Lady' at Ensemble Studio Theatre, and it affected me so deeply. It changed everything I thought about the arts. I quit banking and became an actor.
I love 'Shameless' as a fan. But I love lots of television. And as an ensemble, I have never seen a group of people put on screen what 'Shameless' - the 'Shameless' cast as an ensemble and as individuals - in decades.
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